Rugby on Nine

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UNLOCK THE POWER OF
RUGBY ON NINE IN 2023

Nine is the home of Rugby Union. Reaching more fans than ever before across the year. A major global sport and truly multi-cultural game, which connects Australia with the rest of the world on an international stage.

It's the game they play in heaven, and Rugby on Nine in 2023 will see fans feasting on an unrivalled commitment to premium Rugby content spread across our Television, Radio, Digital and Print offering.

Featuring a commentary team lineup of Rugby Union superstars and experts led by Roz Kelly and Nick McArdle, Wide World of Sports will produce every game shown on Nine and Stan Sport, with cutting-edge technology and studios that offer the best possible experience for Rugby fans.

To find out what your brand can achieve with a Rugby Union partnership, request a tailored response to help realise your marketing objectives.

Check out what's to come for Rugby on Nine this season...

Rugby Union is a compelling platform for brands - offering authenticity, excitement and connection with millions of highly engaged fans.

From the Rugby purist to the casual viewer, Nine covers all the action - with broadcasts of Wallabies and Wallaroos test matches, plus a Super Rugby Pacific match every Saturday night live on 9Gem throughout the season.

And with Nine's WIN network partnership, it really is a sport that touches all corners of the community.

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The Rugby World Cup is one of the biggest sporting events in the world and the pinnacle of the 15 man game. Held every four years it is contested by the best international teams from across the globe.

The tournament touches all corners of the community and unites Australia behind the green and gold across the whole Nine ecosystem, from Channel 9 and 9Now, our digital and print executions and talk radio.

ALL WALLABIES GAMES LIVE FROM FRANCE ON CHANNEL 9 AND 9NOW

8TH SEPTEMER - 28TH OCTOBER 2023

 

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CAPTIVATING MORE HIGHLY ENGAGED FANS THAN EVER BEFORE

Reached 2.3 million Aussies in 2022 across Metro Australia

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Of Super Rugby Pacific were streamed across 9Now in 2022  

Eyes on Nine for the July Series v England in 2022 – 11.9% YOY increase 

YOY growth on 9Now of 45% across the July Tests with 14.5million minutes streamed  

Source: OzTAM Live VPM, Super Rugby, 19 Feb - 18 Jun 2022, includes coviewing on connected tv devices. OzTAM Live VPM, July Tests Rugby, 2 July – 16 July 2022, includes coviewing on connected tv devices. Adobe Analytics, WWOS - Rugby, 19/02/2022 - 18/06/2022, 02/07/2022 - 16/07/202, page views. Based on cumulative page views for these periods. OzTAM (5 City Metro) + Regional TAM (Combined Agg Mkts) data, 19 Feb – 18 June 2022, Super Rugby Pacific includes pre and post matches (Nine Network + Affiliates), Reach, Total People, consolidated 7. OzTAM (5 City Metro) + Regional TAM (Combined Agg Mkts) data, 2 Jul – 16 Jul, Wallabies vs England includes pre and post matches (Nine Network + Affiliates), Reach, Total People, consolidated 7. 

RUGBY ON NINE CONNECTS WITH HEARTLAND AUSTRALIA

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Super Rugby Pacific reach in 2022 

July Test viewers in 2022 

Source: Regional TAM (Combined Agg Mkts) data, 19 Feb – 18 June 2022, Super Rugby Pacific includes pre and post matches (Nine Network Affiliates), Reach, AUD & Commercial Share %, Demos as above, consolidated 7. Regional TAM (Combined Agg Mkts), 2 Jul – 22 Jul 2022 vs 7 Jul-17 Jul 2021, Wallabies V England includes pre and post matches & Wallabies vs France, Total People, AUD (match only) & Reach, Consolidated 7. 

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Rugby Storytelling Across Nine's platforms

Nine broadcasts every game with an always on strategy across 9, 9Gem and 9Now, including amplification across our news and current affairs portfolio as well as the Today Show, weekly updates on Nine Radio, in depth analysis within our publishing mastheads, alongside Stan Sport for the Rugby purist who wants to see every single game in high definition, live and on-demand.

Rugby - TV Amplification

TV

Network amplification across Today Show and Nine's News and Current Affairs

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RADIO

Weekly code updates from Nine's Rugby commentary team across WWOS radio on 2GB and 4BC

Rugby - Publishing

PUBLISHING

Sydney Morning Herald and Age Rugby page views 9.6 Million across 2022

Rugby - WWOS

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With dedicated columnists and reporters.

2.6 Million Unique Visitors
4.6 Million Visits
1.5 Million Total Streams

Rugby - Social

SOCIAL

3x Rugby social channels up 120% year-on-year

Source: Roy Morgan database ending June 2021. OzTAM Metro + Regional Data, Nine Network, Cumulative Reach, Super Rugby, July Test, Bledisloe Cup, Rugby Championships, 19/2/2021 – 2/10/2021, Consolidated 7 data. GfK Radio Ratings, SMBP Survey 6 2021, Mon-Sun 5.30am-12MN, Cume (000s), Nine Talk Radio 2GB, 3AW, 4BC, 6PR; Nielsen Consumer and Media View National Online Survey S03 2021. Fused April 2021; Roy Morgan Asteroid single source database for the 12 months ending June 2021. Adobe Analytics, WWOS Rugby, 19/2/21 4/10/21, unique visitors, visits, page views; Internal Brightcove data, WWOS Rugby, 19/2/21 4/10/21 total streams, viewed minutes 

One Network covering all the action

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Hospital Cup & Shute Shield
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Wallabies Spring Tour
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Realise Big Ideas
and drive results
for your brand

Big ideas make brands famous.
As does the power of premium sporting content.

And with the help of Powered by Nine, we have a big idea for every budget, underpinned by Australia’s best Rugby Union content. From the main game to the experts and the entertainers, we provide brands with an unrivalled platform to tell their story.

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ISUZU LEVERAGED A CROSS-MEDIA RUGBY PARTNERSHIP TO DELIVER HIGH IMPACT MARKETING MOMENTS

Nine x Isuzu

CHALLENGE: At the heart of every Isuzu lies a tried and tested DNA of a refined combination of power, efficiency and reliability. In 2022 Isuzu wanted to bring this to life through the launch of the latest Isuzu D-MAX and MU-X, and to ultimately connect their product with a male audience.

SOLUTION: Rugby on Nine was identified as the perfect sporting vehicle to support Isuzu, over the Super Rugby Pacific and Wallabies Season, through compelling storytelling across our Total TV offering - including Channel 9, 9Now and Stan Sport, alongside radio integrations and Sports Sunday extension. 

RESULTS: Utilising Nine's Rugby Union coverage, Isuzu put their brand message at the heart of the action - with a campaign consisting of an integrated Half-Time key moment with verbal introduction, Live Break TVC, Billboards, Radio integration and a Key Rugby Moment extension across Sports Sunday during the Wallabies season.

PUT YOUR BRAND AT THE HEART OF THE ACTION WITH RUGBY UNION ON NINE IN 2023

Sports marketing is a powerful tool that many brands have leveraged to deliver real success. Best of all, it’s a genre that works across virtually every industry. Why does it have such power? Because it has the ability to connect brands with fans.

There is plenty of opportunity available to grow your brand through the power of Rugby Union on Nine in 2023. We're up for the challenge. Brief us today.

Rugby Scale

To find out more about what your brand can achieve with a Rugby Union partnership, request a tailored response to help realise your marketing objectives.

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Meet Good Weekend Editor Katrina Strickland

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At the core of Good Weekend is its features: definitive stories on the people, places and issues that matter - to you, to Australia, to the world.  The Good Weekend’s editor, Katrina Strickland talks about the power of print and shaping the stories everyone is talking about on Saturdays.

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In the 2020 film News of the World, Tom Hanks played an 1870s character who travelled through remote towns of America charging people a nickel to hear him read from a newspaper. In this social media-driven world, in which we’re all often alone with our phones, Hanks’ character feels like an artefact of a long-forgotten past.

Yet you need not look too far below the surface to realise that the human spirit’s craving for shared experiences is alive and well. Good Weekend editor Katrina Strickland was reminded of this during the pandemic, when Instagram and the Good Weekend inbox would light up week in, week out with photos of people doing The Quiz together over Zoom - family groupings, friendship circles, work colleagues.

“It was incredibly heartwarming, a sign of the power of a group activity to make us feel better about ourselves and the world,” said Strickland, who has been editor since mid-2017 of the magazine that’s inserted every Saturday into The Sydney Morning Herald and The Age.

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So popular is The Quiz that two devotees set up their own Instagram account in its honour. Now run by Good Weekend, it has more than 43,000 followers. The magazine has further extended the brand by instigating live quiz nights as part of Good Food Month.

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Strickland learnt about the incredible reach of Good Weekend’s games the hard way, having decided when she took over to kill off the Get It puzzle that accompanies The Quiz every Saturday. The reader backlash was such that she quickly brought it back.

“Get It writer Greg Bakes was very gracious about it. He just laughed and said, ‘Someone else tried to cut it once and got the same reaction,’” Strickland said. “A magazine with the history and broad audience of Good Weekend - 37 years and more than 800,000 readers - is one in which that audience has very firm opinions of what they like and don’t like. And they’re never afraid to tell you.”

Reader favourites include Two of Us, Danny Katz’s Modern Guru and Benjamin Law’s Dicey Topics, but the heart and soul of the magazine is its features, penned by experts in the craft of longform writing such as Jane Cadzow, Amanda Hooton, Tim Elliott, Melissa Fyfe and Konrad Marshall.

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Stories on subjects as diverse as celebrity chef Jock Zonfrillo, cancel culture, Attorney-General Michaelia Cash, the Dark Emu debate, Sydney fraudster Melissa Caddick and Melbourne court clerk Ashleigh Petrie rate incredibly well online, attracting strong engagement on social media too.

We're looking for the issues and people Australians are fascinated by

“What’s interesting to me is that in a time of bite-sized news and supposedly short attention spans, it’s these stories of 4000, 5000 words that perform the best - with those who’ve grown up with us but also with 20 and 30 somethings, who might come for The Quiz but then stay for the features,” said Strickland. “That tells me that we’re all actually craving substance, a definitive story on a subject that allows us to grapple with it in all its shades of grey and nuance.”

That’s particularly so, she said, in an age of spin. “We’re all very marketing savvy these days, and we increasingly want the unvarnished truth. The rise of the real on Instagram - stars like Celeste Barber and The Inspired Unemployed - reflects that, too. News magazines have always played in that space, and I think, ironically, the times are coming back to suit that aspect of what we do. People are fed up with nicey-nicey content that actually doesn’t say much.”

Strickland says her team’s aim is to publish the cover story everyone is talking about on a Saturday - at the kids footy game that morning or at a dinner party that night. “We’re looking for the issues and people Australians are fascinated by, and to catch them just before everyone else registers that they’re interested in them.”

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Expansion of the 52 Properties and the Style Edit

At the other end of the spectrum, Good Weekend has in recent years extended its 31-year old 52 Weekends Away annual issue into two other 52 properties, 52 Dream Destinations and 52 Top Wineries. Where 52 Weekends Away is about national travel - Strickland expanded it a few years ago from covering mostly NSW and Victoria getaways to include every state and territory - 52 Dream Destinations is international. 52 Top Wineries, meanwhile, is a co-production with Huon Hooke’s wine website The Real Review.

These special annual issues have proven popular with state tourism bodies and automotive advertisers, who have done gatefolds, reversebacks, mini-magazines and false covers to capitalise on the fact that these issues tend to sit on coffee tables and in magazine racks for longer.

Another innovation has been Style Edit, a quarterly issue started last year that includes more lifestyle, fashion and design content, “but done in that Good Weekend way - with intelligence and rigour and, as always, beautiful writing”. 

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And so while Tom Hanks’ character in News of the World may seem quaint, our shared passion for exploring what’s happening around us and why - and more than ever, for getting the real story - is very much a 21st century thing.

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Rethink Ink

Check out how NRMA unlocked the power of Good Weekend in our latest Rethink Ink creative showcase 

Find out how your brand can leverage the power of Nine's publishing assets to drive business outcomes: Request more information

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Roll the Dice on Creativity

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Are you ready to Roll the Dice on Creativity in 2022?

To celebrate the return of Australia’s richest creativity award, State of Originality, Powered by Nine in partnership with Mumbrella Bespoke and the AANA - Australian Association of National Advertisers are excited to bring you a new series dedicated to understanding what it takes to make great advertising, with advice and examples from a veritable C-suite of Australia’s marketers and creative masterminds.

Over the coming weeks, episodes will cover everything from Strategy, Originality, Simplicity, Emotion, Branding and Execution. Does one element lead, are there shortcuts, or do you just need to land all six to achieve creative success?

Find out as we roll the dice on creativity.

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EP1: Strategy

WITH CHRIS BROWN, CHIEF MARKETING OFFICER, MCDONALD'S

Roll the Dice on Creativity is a brand new series from Powered by Nine, Mumbrella and the AANA. In the very first episode, Nine’s Michele O’Neill is joined by McDonald’s Australia CMO and State of Originality 2021 winner Chris Brown to discuss all things strategy.

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EP2: Emotion

WITH JO BOUNDY, CHIEF MARKETING OFFICER, QANTAS

The second episode of Powered by Nine’s Roll the Dice on Creativity is live, featuring Qantas’ CMO extraordinaire Jo Boundy. Jo shares her thoughts on emotion in advertising, including how the business pivoted its creative approach throughout the pandemic.

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EP3: Simplicity

WITH JUSTIN GRAHAM, GROUP CEO, M&C SAATCHI

In the third episode of Roll the Dice on Creativity, M&C Saatchi’s Justin Graham shares how difficult simplicity can be to achieve - and why it’s so vital that we do.

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EP4: Originality

WITH PIA CHAUDHURI, EXECUTIVE CREATIVE DIRECTOR, BMF

In this episode, BMF Australia executive creative director Pia Chaudhuri gets honest about Australia’s appetite for originality.

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EP5: Branding

WITH SUZANA RISTEVSKI, EXECUTIVE GROUP MARKETING CMO, NAB

In this episode, NAB’s Suzana Ristevski sits down to discuss taglines, standing out from the crowd, and the importance of long-term brand recognition.

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EP6: Execution

WITH TOM MARTIN AND JULIAN SCHREIBER, PARTNERS & CHIEF CREATIVE OFFICERS, SPECIAL AUSTRALIA

In the final episode of Roll the Dice on Creativity, a brand-new series from Powered by Nine, Mumbrella and the AANA, Special Group Australia’s chief creative officers and partners, Tom Martin and Julian Schreiber explain the importance of execution to the creative outcome.

Nine’s End of Year Ratings 2021

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The 9Network has retained its coveted status as Australia's No.1 Network with all key demographics

With the conclusion of the 2021 ratings survey period (ex. Olympics) overnight, the 9Network ranks No. 1 with People 25-54, 16-39 and Grocery Shopper + Child.

Nine’s primary channel is also Australia’s No. 1 with all key demographics, as well as with Total People across the ratings survey period (ex. Olympics).

Across the calendar year (ex. Olympics), the 9Network and Nine’s primary channel rank No. 1 with those key demographics. And Nine’s primary channel also ranks No. 1 with Total People across the calendar year (ex. Olympics).

As BVOD becomes an increasingly integral part of Nine’s business, we can report today that 9Now is Australia’s No. 1 commercial BVOD service.

9Now leads in share across Live, VOD and combined. In calendar year 2021 (ex. Olympics), 9Now currently has a share of 46.4% across Live + VOD, while the platform also leads in Live share (49.2%) and VOD share (44.7%) share.

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The biggest moments of Australian TV
start right here on Nine

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Michael Healy, Nine’s Director of Television, said: “I couldn’t be prouder of the achievements of the Nine team in delivering a slate that has reaffirmed our leadership position across both linear and digital. Once again, our shows have dominated the key demographics as well as the national conversation throughout the year. Channel 9 is also the number one channel in Total People (ex. Olympics). We’re extremely proud of our shows and have worked with our production partners to deliver content that has engaged, informed and entertained us throughout another challenging year.”

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Michael Stephenson, Nine’s Chief Sales Officer, said: “Nine is number one again in the thing that matters most - the demographics that advertisers buy. When you remove the Olympics, Nine is number one in 25-54s, 16-39s, and grocery shoppers with children. We have had a strategy which is focused on delivering the audiences that our clients buy. That is what we have done again this year and what we will do again in 2022.”

Linear Television – Network commercial shares
6pm to midnight - 2021 survey year (ex. Olympics)

18:00-MN
Network

Network

Network
25-54 37.9% 33.8% 28.3%
16-39 36.3% 33.7% 30.0%
GS + CH 39.2% 34.5% 26.3%
Total People 38.0% 38.2% 23.8%

 

Source: OzTAM Metro 5 City, Ratings Survey 7 February – 27 November 2021, excluding Easter 28/3/2021 – 10/4/2021 and Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Network Nine, Network Seven, Network 10, Key Demos + Total People, Commercial Share, Consolidated 28

Linear Television – Primary channel commercial shares
6pm to midnight - 2021 survey year (ex. Olympics)

18:00-MN
25-54 27.4% 23.5% 18.5%
16-39 27.2% 23.6% 19.8%
GS + CH 29.4% 24.8% 17.2%
Total People 27.2% 26.2% 14.9%

 

Source: OzTAM Metro 5 City, Ratings Survey 7 February – 27 November 2021, excluding Easter 28/3/2021 – 10/4/2021 and Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Nine Primary, Seven Primary, 10 Primary, Key Demos + Total People, Primary Commercial Share, Consolidated 28

Broadcast Video on Demand commercial shares
2021 survey year (ex. Olympics)

LIVE + VOD
25-54 47.7% 37.7% 14.5%
18-39 48.2% 37.3% 14.5%
Total People 46.4% 38.3% 15.3%

Source: OzTAM Live + VOD VPM, 7 February 2021 – 27 November 2021, excluding 28/3/2021 – 10/4/2021 & 23/7/2021 – 8/8/2021. Metric: Minutes, duration 0+, includes coviewing on Connected TV

Linear Television – Network commercial shares
6am to midnight - 2021 survey year (ex. Olympics)

18:00-MN
Network

Network

Network
25-54 37.5% 33.5% 29.0%
16-39 35.8% 33.7% 30.5%
GS + CH 38.8% 34.1% 27.2%
Total People 37.8% 37.9% 24.3%

 

Source: OzTAM Metro 5 City, January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Network Nine, Network Seven, Network 10, Key Demos + Total People, Commercial Share, Consolidated 28

Linear Television – Primary channel commercial shares
6pm to midnight - 2021 calendar year (ex. Olympics)

18:00-MN
25-54 26.8% 23.3% 18.9%
16-39 26.5% 23.6% 20.0%
GS + CH 28.8% 24.5% 17.9%
Total People 26.9% 25.9% 15.2%

 

Source: OzTAM Metro 5 City, January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Nine Primary, Seven Primary, 10 Primary, Key Demos + Total People, Primary Commercial Share, Consolidated 28

Broadcast Video on Demand commercial shares
2021 calendar year (ex. Olympics)

25-54 47.8% 37.3% 14.9%
18-39 48.2% 36.9% 14.9%
Total People 46.4% 37.8% 15.7%

 

Source: Source: OzTAM Live + VOD VPM, 1 January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021. Metric: Minutes, duration 0+, includes coviewing on Connected TV

Linear Television - Free-to-air network shares
6pm to midnight - 2021 survey year (ex. Olympics)

 

18:00-MN Network Network Network
Network
Network
Ppl 25-54 30.7% 27.4% 22.9% 12.3% 6.8%
Ppl 16-39 29.8% 27.6% 24.6% 11.9% 6.2%
GS + Child 31.6% 27.8% 21.2% 13.0% 6.6%
Total Ind. 28.3% 28.5% 17.8% 16.9% 8.4%

Source: OzTAM Metro 5 City, Ratings Survey 7 February – 27 November 2021, excluding Easter 28/3/2021 – 10/4/2021 and Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Network Nine, Network Seven, Network 10, ABC Network, SBS Network, Key Demos + Total People, FTA Share, Consolidated 28

Linear Television - Free-to-air primary channel shares
6pm to midnight - 2021 survey year (ex. Olympics)

18:00-MN
Ppl 25-54 22.2% 19.0% 14.9% 7.0% 3.3%
Ppl 16-39 22.3% 19.3% 16.2% 6.3% 2.8%
GS + Child 23.7% 20.0% 13.8% 6.7% 3.4%
Total Ind. 20.3% 19.6% 11.1% 11.9% 5.1%

Source: OzTAM Metro 5 City, Ratings Survey 7 February – 27 November 2021, excluding Easter 28/3/2021 – 10/4/2021 and Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Nine Primary, Seven Primary, 10 Primary, ABC Primary, SBS Primary, Key Demos + Total People, FTA Share, Consolidated 28

Linear Television - Free-to-air network shares
6pm to midnight - 2021 calendar year (ex. Olympics)

18:00-MN Network Network Network
Network
Network
Ppl 25-54 30.3% 27.1% 23.4% 12.4% 7.0%
Ppl 16-39 29.2% 27.5% 24.9% 12.1% 6.3%
GS + Child 31.1% 27.3% 21.8% 13.2% 6.6%
Total Ind. 28.1% 28.1% 18.1% 17.1% 8.6%

Source: OzTAM Metro 5 City, January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Network Nine, Network Seven, Network 10, ABC Network, SBS Network, Key Demos + Total People, FTA Share, Consolidated 28

Linear Television - Free free-to-air primary channel
shares
6pm to midnight - 2021 calendar year (ex. Olympics)

18:00-MN
Ppl 25-54 21.6% 18.8% 15.2% 7.0% 3.3%
Ppl 16-39 21.7% 19.2% 16.3% 6.3% 2.8%
GS + Child 23.1% 19.6% 14.3% 6.7% 3.3%
Total Ind. 20.0% 19.3% 11.3% 11.9% 5.2%

Source: OzTAM Metro 5 City, January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021, 18:00 – 23:59, Nine Primary, Seven Primary, 10 Primary, ABC primary, SBS Primary, Key Demos + Total People, FTA Share, Consolidated 28

Linear Television – Network commercial shares
6am to midnight - 2021 survey year (ex. Olympics)

06:00-MN
Network

Network

Network
25-54 39.3% 34.3% 26.4%
16-39 38.1% 33.7% 28.2%
GS + CH 40.9% 34.8% 24.3%
Total People 38.7% 38.3% 23.0%

 

Source: OzTAM Metro 5 City, Ratings Survey 7 February – 27 November 2021, excluding Easter 28/3/2021 – 10/4/2021 and Olympics 23/7/2021 – 8/8/2021, 06:00 – 23:59, Network Nine, Network Seven, Network 10, Key Demos + Total People, Commercial Share, Consolidated 28

Linear Television – Primary channel commercial shares
6am to midnight - 2021 survey year (ex. Olympics)

06:00-MN
25-54 28.5% 25.1% 16.4%
16-39 28.1% 24.4% 17.4%
GS + CH 31.1% 26.4% 15.2%
Total People 27.7% 28.2% 13.8%

 

Source: OzTAM Metro 5 City, Ratings Survey 7 February – 27 November 2021, excluding Easter 28/3/2021 – 10/4/2021 and Olympics 23/7/2021 – 8/8/2021, 06:00 – 23:59, Nine Primary, Seven Primary, 10 Primary, Key Demos + Total People, Primary Commercial Share, Consolidated 28

Linear Television – Network commercial shares
6am to midnight - 2021 calendar year (ex. Olympics)

06:00-MN
Network

Network

Network
25-54 38.7% 34.6% 26.8%
16-39 37.3% 34.4% 28.3%
GS + CH 40.2% 34.8% 25.0%
Total People 38.4% 38.4% 23.3%

 

Source: OzTAM Metro 5 City, January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021, 06:00 – 23:59, Network Nine, Network 7, Network 10, Key Demos + Total People, Commercial Share, Consolidated 28

Linear Television – Primary channel commercial shares
6am to midnight - 2021 calendar year (ex. Olympics)

06:00-MN
25-54 27.7% 25.3% 16.6%
16-39 27.2% 25.0% 17.4%
GS + CH 30.3% 26.5% 15.7%
Total People 27.2% 28.4% 13.9%

 

Source: OzTAM Metro 5 City, January 2021 – 27 November 2021, excluding Olympics 23/7/2021 – 8/8/2021, 06:00 – 23:59, Nine Primary, Seven Primary, 10 Primary, Key Demos + Total People, Primary Commercial Share, Consolidated 28

Nine has the biggest shows in Australia 

No.1 new reality television series – Beauty and the Geek

No.2 new reality television series – Celebrity Apprentice Australia

No.1 reality television special – Married at First Sight -Grand Reunion

No.2 reality television series – Married at First Sight

No. 2 regular non-sports series – Married at First Sight

No.3 reality television series – The Block

No.1 light entertainment series – Lego Masters

No.3 light entertainment series – Travel Guides

No.2 new light entertainment series – Parental Guidance

No.1 health & medical documentary series – Paramedics

No.1 current affairs program – A Current Affair

No.1 weekly commercial free-to-air current affairs program – 60 Minutes

No.2 regular sports event – NRL Grand Final

No.3-5 regular sports event – State of Origin I, II, III

No.1 summer sports event – Australian Open Men’s Final

TOP REGULAR SPORT EVENTS: OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Agg Mkts), 01/01/21- 23/11/21, FTA primary & multi channels + affils, AUD (ranked on Metro + Regional), Genre: Sports/Special Sports Event/Other Sports Event, excludes "TOKYO 2020"/PRESENTATION/ON THE GROUND/PRE MATCH/POST MATCH/ENTERTAINMENT/TEA/MOUNTING YEAR/PRE GAME/POST GAME/ENCORE/RPT/(R), Total People, consolidated 28 data (as at 24/11/21)
REALITY TELEVISION SERIES: OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Aggregate Markets), 01/01/21-23/11/21 consolidated 28 data (at 24/11/21), Genre: Reality Television, Programs grouped based on primary description- excludes: encore/rpt/r/masterclass/M-, Total Individuals, FTA Primary & Multi Channels, AUD (ranked on Metro + Regional)
LIGHT ENTERTAINMENT SERIES: OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Aggregate Markets), 01/01/21-23/11/21 consolidated 28 data (at 24/11/21) Genre: Light Entertainment, Programs grouped based on primary description- excludes: encore/rpt/r/celebrity special/record breakers/masterclass/kids special/road to glory/M-, Total Individuals, FTA Primary & Multi Channels, AUD (ranked on Metro + Regional)
MEDICAL DOCUMENTARY: OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Aggregate Markets), 01/01/21-23/11/21 consolidated 28 data (at 24/11/21), Genre: Documentary/Health & Medical, Programs grouped on name- excludes: encore/rpt/r, Total Individuals, FTA Primary & Multi Channels, AUD (ranked on Metro + Regional)
NEWS : OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Aggregate Markets), 01/01/21-23/11/21 consolidated 28 data (at 24/11/21), Genre: News/Current Affairs, Programs grouped on name- excludes: encore/rpt/r, Total Individuals, FTA Primary & Multi Channels, AUD (ranked on Metro + Regional)
OVERALL NON SPORT PROGRAM: OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Aggregate Markets), 01/01/21-23/11/21 consolidated 28 data (at 24/11/21), excludes Genre: Sports Event/Special Sports Event/Other Sports, Programs grouped on name- excludes: encore/rpt/r/M-/Holey Moley Australia -Celebrity Special & Kids Special & Road to Glory/ANW -Record Breakers/Masterchef Australia -Masterclass/Love Island Australia Afterparty/Saving Candice-Late/60 Minutes-Late, Total Individuals, FTA Primary & Multi Channels, AUD (ranked on Metro + Regional), event count 1+

MAFS
2.110 MILLION
TOTAL AUDIENCE
1,347,000
Broadcast Overnight
158,000
Time Shift to 28
163,000
Broadcast Encore
442,000
BVOD Audience (Con28)
LegoMasters
1.661 MILLION
TOTAL AUDIENCE
1,074,000
Broadcast Overnight
266,000
Time Shift to 28
156,000
BVOD Audience (Con28)
165,000
BVOD Audience (Con28)
ANW
1.249 MILLION
TOTAL AUDIENCE
942,000
Broadcast Overnight
103,000
Time Shift to 28
122,000
Broadcast Encore
82,000
BVOD Audience (Con28)
UnderInvestigation
1.236 MILLION
TOTAL AUDIENCE
661,000
Broadcast Overnight
79,000
Broadcast Time Shift
431,000
Broadcast Encore
65,000
BVOD Audience (Con28)
Celebrity_Apprentice
1.126 MILLION
TOTAL AUDIENCE
795,000
Broadcast Overnight
81,000
Time Shift to 28
120,000
Broadcast Encore
130,000
BVOD Audience (Con28)
_BeautyAndTheGeek21
1.255 MILLION
TOTAL AUDIENCE
824,000
Broadcast Overnight
112,000
Time Shift to 28
125,000
Broadcast Encore
194,000
BVOD Audience (Con28)
TheBlock_9Now_NextGen_Legacy Art
1.678 MILLION
TOTAL AUDIENCE
1,222,000
Broadcast Overnight
100,000
Time Shift to 28
143,000
Broadcast Encore
213,000
BVOD Audience (Con28)
Parental-Guidance-Title
1.088 MILLION
TOTAL AUDIENCE
748,000
Broadcast Overnight
86,000
Time Shift to 28
101,000
Broadcast Encore
153,000
BVOD Audience (Con28)
TravelGuide2021_Media_Room_Tiles_1920x1080
1.259 MILLION
TOTAL AUDIENCE
852,000
Broadcast Overnight
148,000
Time Shift to 28
147,000
Broadcast Encore
112,000
BVOD Audience (Con28)
paramedicss3
815,000
TOTAL AUDIENCE
669,000
Broadcast Overnight
92,000
Time Shift to 28
54,000
BVOD Audience (Con28)
EMER_CTV Screens Template_Legacy Art
536,000
TOTAL AUDIENCE
420,000
Broadcast Overnight
78,000
Time Shift to 28
38,000
BVOD Audience (Con28)
Weakest_Link_EF
597,000
TOTAL AUDIENCE
434,000
Broadcast Overnight
45,000
Time Shift to 28
94,000
Broadcast Encore
24,000
BVOD Audience (Con28)
TheHundred_EF
848,000
TOTAL AUDIENCE
605,000
Broadcast Overnight
48,000
Time Shift to 28
140,000
Broadcast Encore
55,000
BVOD Audience (Con28)
Hotseat_EF
626,000
TOTAL AUDIENCE
615,000
Broadcast Overnight
2,000
Time Shift to 28
9,000
BVOD Audience (Con28)
9Now_AO_MensFinals_CTV_Screens_Template_NOVAK_MEDVEDE_Standard Card
1.638 MILLION
TOTAL AUDIENCE
Mens Final
1,547,000
Broadcast Overnight
3,000
Time Shift to 28
88,000
BVOD Audience (Con28)
StateOfOrigin_G1_21_9Now_NextGenStandard Card
3.021 MILLION
TOTAL AUDIENCE
Game One
2,713,000
Broadcast Overnight
28,000
Time Shift to 28
280,000
BVOD Audience (Con28)
NRL2021_EF_NRL GrandFinale ID copy
3.609 MILLION
TOTAL AUDIENCE
3,240,000
Broadcast Overnight
6,000
Time Shift to 28
363,000
BVOD Audience (Con28)

 

Nine is home to Australia's best news & current affairs

9NEWS_Loop_00000
1.250 MILLION
TOTAL AUDIENCE
1,223,000
Broadcast Overnight
1,000
Time Shift to 28
26,000
BVOD Audience (Con28)
ACA20_MEDIA_ROOM_TILES_1920x1080
1.010 MILLION
TOTAL AUDIENCE
977,000
Broadcast Overnight
10,000
Time Shift to 28
23,000
BVOD Audience (Con28)
Today21_MediaRoomTiles_1920x1080
339,100
TOTAL AUDIENCE
325,000
Broadcast Overnight
100
Time Shift to 28
14,000
BVOD Audience (Con28)
TOSHExtra2020_MediaRTile_1920x1080_Sylvia_David
186,200
TOTAL AUDIENCE
178,000
Broadcast Overnight
200
Time Shift to 28
8,000
BVOD Audience (Con28)
60MINS_2021_CTV_Template_ShortHair_Standard Card
897,000
TOTAL AUDIENCE
786,000
Broadcast Overnight
64,000
Time Shift to 28
47,000
BVOD Audience (Con28)

Source: OzTam Metro + Regional Data, Total People, Overnight + Timeshift to 28 for First Run Episodes, Consolidated 28 for Encore Episodes, 'Married at First Sight,' 22/02/21-18/04/21, 'Lego Masters,' 19/04/21-17/05/21, 'Australian Ninja Warrior,' 20/06/21-06/07/21, 'The Block,' 08/08/21-07/11/21, 'Parental Guidance,' 01/11/21-16/11/21, 'Beauty & The Geek,' 11/07/21-03/08/21, 'Celebrity Apprentice Australia,' 23/05/21-15/06/21, 'Under Investigation,' 01/03/21-27/09/21, 'Travel Guides -Special,' 26/01/21-03/02/21, 'Paramedics,' 06/10/21-21/10/21 excludes “rpts”, 'Emergency,' 11/03/21-17/11/21 excludes “rpts”, 'The Weakest Link,' 25/05/21-05/10/21, 'The Hundred with Andy Lee,' 10/08/21-28/09/21, 'Hot Seat,' 01/01/21-24/11/21, '2021 Australian Open D14 -Men's Final,' 21/02/21, 'State of Origin Rugby League QLD v NSW 1st -Match,' 09/06/21, 'NRL Grand Final Day -Match,' 03/10/21, 'Nine News Hours,' = 'Nine News,' 'Nine News 6:30,' 'Nine News Saturday,' 'Nine News Sunday,' 01/01/21-24/11/21,' A Current Affair,' 01/01/21-24/11/21, 'Today,' 01/01/21-24/11/21, 'Today Extra,' 01/01/21-24/11/21, '60 Minutes,' + '60 Minutes -Summer,' 03/01/21-21/11/21.

BVOD: OzTAM Live + VOD VPM, Con28, Married at First Sight (22/2/21 – 18-4/21), Lego Masters (19/4/21 – 17/5/21), Australian Ninja Warrior (20/6/21 – 6/7/21), Under Investigation (1/3/21 – 5/4/21 & 23/8/21 – 27/9/21), Celebrity Apprentice (23/5/21 – 15/6/21), Beauty and the Geek (11/7/21 – 3/8/21), The Block (8/8/21 – 7/11/21), Parental Guidance (1/11/21 – 16/11/21), Travel Guides Special (26/1/21 – 3/2/21), Paramedics (11/8/21 – 21/10/21), Emergency (24/5/21 – 21/6/21), The Weakest Link (25/5/21 – 27/7/21), The Hundred (10/8/21 – 28/9/21), 60 Minutes (31/1/21 – 21/11/21, includes coviewing on connected tv devices); OzTAM Live VPM, Con28, Millionaire Hot Seat (1/1/21 – 23/11/21), AO Men’s Final (21/2/21), Game 1 State of Origin (9/6/21), NRL Grand Final (3/10/21), 9News (1/1/21 – 23/11/21), A Current Affair (1/1/21 – 23/11/21), Today (1/1/21 – 23/11/21), Today Extra (18/1/21 – 23/11/21), includes coviewing on connected tv devices.

RANK PROGRAM CHANNEL COMBINED METRO REGIONAL
1 THE BLOCK -WINNER ANNOUNCED Nine+Affils 2,659,000 1,907,000 752,000
2 THE BLOCK -GRAND FINAL Nine+Affils 2,217,000 1,608,000 609,000
3 THE VOICE - GRAND FINAL WINNER ANNOUNCED Seven+Affils 2,139,000 1,463,000 676,000
4 THE VOICE - LAUNCH Seven+Affils 2,060,000 1,439,000 620,000
5 HEY HEY WE'RE 50 Seven+Affils 2,055,000 1,355,000 699,000
6 THE VOICE - GRAND FINAL Seven+Affils 2,011,000 1,371,000 640,000
7 MARRIED AT FIRST SIGHT -FINALE Nine+Affils 1,945,000 1,490,000 455,000
8 OPRAH WITH MEGHAN & HARRY 10+Affils 1,941,000 1,496,000 445,000
9 THE VOICE - SUN Seven+Affils 1,876,000 1,291,000 585,000
10 THE VOICE - TUE Seven+Affils 1,862,000 1,281,000 581,000
11 THE VOICE - MON Seven+Affils 1,798,000 1,230,000 569,000
12 HOLEY MOLEY AUSTRALIA - LAUNCH Seven+Affils 1,673,000 1,102,000 570,000
13 MARRIED AT FIRST SIGHT -THE FINAL DINNER PARTY Nine+Affils 1,657,000 1,263,000 393,000
14 LEGO MASTERS -WINNER ANNOUNCED Nine+Affils 1,582,000 1,176,000 406,000
15 MARRIED AT FIRST SIGHT -SUN Nine+Affils 1,525,000 1,167,000 358,000
16 FARMER WANTS A WIFE - FINALE Seven+Affils 1,518,000 932,000 586,000
17 MARRIED AT FIRST SIGHT -MON Nine+Affils 1,496,000 1,139,000 357,000
18 MARRIED AT FIRST SIGHT -WED Nine+Affils 1,486,000 1,130,000 356,000
19 I'M A CELEBRITY...GET ME OUT OF HERE! - OPENING NIGHT 10+Affils 1,479,000 1,106,000 374,000
20 FARMER WANTS A WIFE - REUNION Seven+Affils 1,476,000 909,000 568,000

TOP NON-SPORT (ENTERTAINMENT) PROGRAMS: OzTAM Metro (5 City Metro) & Regional TAM Regional (Combined Agg Mkts), 01/01/21- 23/11/21, FTA primary & multi channels + affils, AUD (ranked on Met+Reg), Excludes Genre: Sports/Special Sports Event/Other Sports Event, excl "ENCORE" "RPT" "(R)" "SEVEN NEWS -SUN" "SEVEN NEWS" "SEVEN NEWS AT 6.30", Total People, consolidated 28 data (as at 24/11/21)

For more information

Nic Christensen
Head of Corporate Affairs
nchristensen@nine.com.au

Terry Stuart
Communications Manager
tstuart@nine.com.au

Contact us for more information on how your brand can leverage the power of premium content on Nine to deliver real business outcomes.

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Meet the AFR Magazine’s Editor, Matt Drummond

Group 1

The Australian Financial Review is the country’s most read premium business masthead, growing its readership to 3.5 million across print and digital, according to Total News readership figures released by Roy Morgan this week. The AFR Magazine’s editor, Matthew Drummond talks about the power of print and how the AFR is providing brands with a powerful proposition to reach the new generation of high net worth and influential readers.

70_Mags

When The Australian Financial Review celebrated its 70th anniversary, it called on the AFR Magazine crew to produce a special magazine called “The Platinum 70th”. Adorning the cover for the magazine was one of the biggest scalps editor Matthew Drummond has so far collected: Apple CEO Tim Cook. Apple is at regular intervals the single most valuable company in the world. It’s also very much a tech company. What fascinated Drummond was how invested Cook became with being on the cover of the print product.

“People want to be on the cover of a magazine. The access to people you get, if you can say they’re going to be on a magazine cover, is really hard to beat,” Drummond said. “Even though they’re a tech company, they know that print means quality. Print has impact. It was a reminder of the power of print magazines to create cultural moments that people pay attention to.”

With arguably one the of the most envious gigs in journalism, Drummond came to the role of editor of  AFR Magazine, like so many before him, via an unusual route. Originally a lawyer, Drummond started off logically enough as a court reporter at a time when Richard Pratt was being tried for anti-competitive behaviour. Then came a stint in banking and finance before taking on the prize role of European correspondent for the Fin based in Paris. Upon his return he took up the reins of the AFR Weekend before settling into his current role as editor of AFR Magazine.

Cover_Mags

All Killer, No Filler

Moving from a daily newsroom through a weekly newspaper to a monthly magazine represented not only a change of pace for Drummond, but an entirely different approach to his work.

“Because you’re working on a magazine that’s got very limited space, the strategy is always ‘all killer, no filler’. You have to say no to a lot of ideas before you hit a yes. Consequently, you’re not working towards a monthly deadline, you’re working three or four months out."

“You’re trying to think of what’s going to be the cover story in three months’ time. A newspaper reflects what’s going on that day, whereas a magazine must reflect a curated vision of the world and things that we've decided to put together for readers,” he says.

Rapturously Wrapped In Luxury

You need only take a walk down any high street in Australia’s CBDs and well-heeled suburbs to know the luxury sector is booming. Sydney’s Castlereagh Street, for instance, has queues snaking around corners outside of Hermes, Cartier, Tiffany’s and more as people patiently wait for their turn to be taken inside and parted from their hard-earned cash in exchange for the latest spectacular offerings. Matched only in their refinement by the eye-watering retail prices.

The lack of overseas travel has also been luxury’s gain, as a more generally positive outlook has loosened wallets, purses and pay pass codes as we emerge from two years of fear and uncertainty.

Drummond says AFR Magazine pioneered coverage of the luxury industry as a business in the same way any other business sector is covered. “It’s key to how the AFR Magazine works. We use the smarts inside the AFR newsroom to look at the business angles inside sectors that are more commonly seen from a lifestyle, arts or cultural perspective.”

In part, this approach grew out of the treatment of the restaurant industry as a business.  An understanding of what’s going on in restaurants is similar to looking at art galleries and how their business model is evolving.

“We started looking at the luxury sector as a business model that could be studied, and fashion as a business as well. And we’ve been doing that for decades,” Drummond said.

As luxury has experienced its own locked-down renaissance, there’s a newfound confidence and optimism in media around luxury as well. New titles are emerging, and on the back of luxury product advertising they are increasing the number of issues  per year.

“It seems that the shakeout that happened in print advertising when COVID hit the brakes on a lot of CMOs’ spends is well and truly over. There’s a new landscape with new players coming into the luxury magazine sector,” says Drummond.

But of all the magazines that work with luxury advertisers, the AFR Magazine was one of very few that kept to its advertising and publishing schedule. “We did not skip a single issue, which speaks to the strength of AFR Magazine in terms of its advertising, and also the fact that we see it as being not just an advertising play. It is a core part of the reader experience of the Financial Review.”

Multi-Platform

Subscribers Are Drivers

The overarching mantra of the past few decades has been print’s decline at the hands of digital. Perversely, digital is now informing what’s printed and driving its growth. Harnessing a digital-first strategy, AFR Magazine now finesses its content in the magazine around trends deduced from digital readership.

For instance, the November issue of AFR Magazine is now purely themed around the Young Rich List following the success, both in terms of subscriber interest and advertising, of the Rich List issue published in June.

“Focusing on digital readership is helping us better understand the value of lifestyle content. We’ve found that the more likely a subscriber habitually reads lifestyle content on www.afr.com, the less likely they churn. That’s the reason we increasingly push lifestyle content to our readers, through newsletters and in key spots on the homepage,” Drummond explains.

There’s an enormous opportunity for brands to reach a growing audience via the AFR, in both print and digital. In Nine’s full-year results, digital subscription revenue was more than $100 million. This was up 20 per cent year-on-year. All three mastheads (The Sydney Morning Herald, The AFR and The Age) grew very strongly, but the AFR grew at the fastest rate.

“We’re hitting new heights in our subscription base. Subscriptions for the AFR are consistently selling at a rate that’s 50 per cent higher than pre-pandemic. And it hasn’t come at the expense of print. We know from readership data that the print audience has remained steady, and for our premium magazine and weekly insert it’s growing,” says Drummond.

“One of the very happy consequences of our increased digital audience is that it’s lifting print. AFR Magazine, in print, has a readership of 452,000.* That’s up a whopping 80 per cent year-on-year. Our audience is now over four times larger than our nearest competitor. Life & Leisure’s readership has grown by a similar amount to 460,000**.

“This reflects our digital-first strategy. Digital-first has a surprising benefit – it can increase print. Almost everything in AFR Magazine and Life & Leisure is published on afr.com before the print titles are published, and each article promotes the on-sale date of the magazine or supplement. We use digital content from the magazine to market the printed magazine, thereby connecting the larger and growing digital subscriber base with our print products. The more people who subscribe to us digitally, the more people who look out for us in print – provided we have compelling content.

L&L_mocks
Growth in print readership has brought investment in new titles, including a new travel supplement within AFR Magazine. Meanwhile Life & Leisure, the weekly lifestyle insert, is about to produce its fifth gloss edition.

A Match Made In Heaven For Brands

Within the luxury sector, now more than ever, there’s an emphasis on showing leadership through high-impact and innovative executions in print and digital.

“We see increased appetite in brands wanting media firsts that show new ways to advertise, via print. This might be using distinctive paper stock, it might be through special gloss executions of wrapping the paper. It’s getting a tangible experience of luxury, of something special, something unique, through print,” says Drummond.

“That led us to create the Luxury Collection Bespoke Suite that enables us to offer a wide range of innovative print executions. We’ve done die-cut belly bands on the newspaper, VR experiences, gatefolds that align with themed issues of AFR Magazine. Print is about as tactile as media comes and we’re in the business of working with brands to create innovative, sensory moments that make their brand aspirations tangible, something you can feel.”

Brands more than ever need to tell their story. Since people couldn’t go into stores through lockdowns, luxury houses needed to find new ways to immerse customers in their brand.

“We’re seeing heightened demand for immersive advertorials on afr.com. These ‘immersives’ have proven popular with brands who traditionally would rely on being mentioned in editorial, but they want to reaffirm those stories with advertorials that provide the space to properly cover their heritage, their values, their innovations.

“We also now offer a sponsored mono-brand photo-shoot in Life & Leisure. Because the AFR is such a premium platform, brands have more confidence that even a digital advertorial execution will suit their brand requirements around how they are positioned.

Digital

AFR Magazine has also minted its first non-fungible token, the cover of the Young Rich issue. For this year’s Young Rich issue, our researchers have included wealth held in cryptocurrencies for the first time, and we have a cryptocurrency entrepreneur on our cover. To mark this occasion, we figured we should turn that cover into an NFT which we auctioned off to raise money for The Smith Family. It sold for $77,450. It’s another illustration of how print can be turned into very distinctive, eye-catching digital assets.

“We see a strong pipeline of interest in gatefold covers for AFR Magazine too. We’ve done our first sponsored fashion shoot, which is an invitation-only opportunity we offer to key partners.”

And so print’s future, when done right, is looking quite bright. To that point, AFR Magazine’s average subscribers are younger than the rest of Nine’s newspaper subscribers: late twenty-somethings working in banking and finance, professional services or some other business enterprise.

“They see people reading the Fin and they know that’s the daily habit of successful people, and they want to be successful too,” says Drummond.

Because of their aspiring outlook, aspirational content is what these younger readers most seek out online, which informs Drummond and his team to make an entirely customised print experience for their emerging audience. A virtuous circle indeed.

*AFR Magazine - Roy Morgan Research; people 14+ for the 12 months ending September 2021
**Life & Leisure - emma conducted by Ipsos MediaCT; people 14+ for the 12 months ending December 2020

Find out how your brand can leverage the power of Nine's publishing assets to drive business outcomes: Request more information

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How Blackmores used print to promote a new product, saw big results, and why open-minded marketers can cash in

Powered Unpacked

How Blackmores used print to promote a new product, saw big results, and why open-minded marketers can cash in

9Powered_Logo_Heat

Print readers have more disposable income, and are a perfect fit for some brands – and open-minded marketers are cashing in. Hearts and Science’s Chief Investment Officer Luke Hutchinson and Nine’s Lisa Day, Partnerships Director for Publishing, explain why finding an audience that isn’t multitasking is worth its weight in gold.

Bias can mean less business 

When marketers and agencies are developing a media strategy, many don’t realise they hold an inbuilt prejudice against print media. They may be missing out on a largely wealthy audience that is like a “blinkered horse” – much more focused on the content than anyone reading online.

Blackmores is one example that has included print media and seen strong results, Hearts and Science’s Chief Investment Officer Luke Hutchinson said.

“I think we need to, as agencies and clients, put aside some of those biases against certain media. I think print can't be pigeonholed really, right? It's part of a multi-platform approach now, and those audiences live not only in print but across online as well,” he told Nine’s Powered Unpacked series.

“I think there are still significant audiences to be reached across print, particularly in that Gen X, baby boomer audience demographic which, quite frankly, have disposable income.”

Early last year, Blackmores launched PAW, a range of natural health supplements for pets.

Pet ownership levels aren’t changing, but Australians are spending more on their pets – Hutchinson says they’re effectively pet parents.

“I, for one, am a parent, and frankly, my dog is my fur baby,” he says.

How print meant dollars for Blackmores' PAW


The health supplements brand approached Nine and ran a multi-platform campaign over a long time – more than six months.

“We needed to find ways to really engage with customers at different points and different moments on that customer journey,” Hutchinson said, “or that parenting journey with their animal… We had multiple messages running in different mastheads and platforms, for instance, across Good Weekend, we had the 52 pet-friendly weekends away as a sort of a lifestyle choice. Then we obviously had other content running across Sunday Life and the masthead itself.”

Lisa Day, Partnerships Director for Publishing at Nine, said the case of Blackmores and PAW was a classic example of how a print audience can deliver real value – three times the measured impact with messaging, according to studies.

“It was a product that could be considered as a luxury item because it's not essential. It was a supplement for your pet. You needed to convince the audience with very low awareness about why you'd use this product,” Day said. “They needed to have the attention span, the engagement, have content that resonated with them, and then the customer ultimately having the means to purchase the product and take action… (The audience) is not trying to multitask, they're a blinkered horse reading what they've got in front of them. And the beauty of that is it gives you a real connection and head space.”

QRs add new print opportunities


An example of how print has evolved is the QR code, which, surprisingly, came back into vogue in 2020 and 2021. The Australian Financial Review recently put one on the cover of the AFR Magazine for the Power Issue.

“Normally, we'd have the Prime Minister on the cover. But we did an interactive QR code on the cover that wherever you were geographically, your premier would turn up. Because that was really a play on the power struggle between the premier and the prime minister,” Day said.

Hutchinson said Blackmores tried them as well, and “the results were, quite frankly, fantastic”.

The goal is to connect purchase to content.

“We're really capitalising on that across the ecosystem, making our products more shoppable so that we can help our partners deliver better outcomes from those sales,” Day said.

Contact us for more information on how your brand can leverage the power of Nine to deliver real business outcomes.

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WWOS – Your Home of Sport

YourHomeOfSport

Unlock the power of sport across Nine in 2022

Sports marketing is a powerful tool that many brands have leveraged to deliver real success. Best of all, it’s a genre that works across virtually every industry. Why does it have such power? Because it has the ability to connect brands with fans.

From changing viewing habits, the resurgence of codes, the growth of women’s sport and audiences seeking content beyond the live experience to innovation in broadcast, it really has been an incredible year in sport here on Nine.

And it is shaping up to be even bigger and better in 2022.

Recap on Nine’s sport strategy for 2022

What’s in store for the year ahead in sport at Nine

Game changers in content delivery and new plays

Putting sport to work for your brand

Connecting brands through a whole wide world of sports in 2022

The success of every great sport marketing campaign comes down to the quality of the content it harnesses. The year of sport ahead on Nine in 2022 delivers big content opportunities for brands.

Next year is the year that Nine’s Total TV solution across Channel 9 (Metro and Regional), 9Now, Stan Sport, alongside publishing, radio and digital, combined with the biggest sporting calendar of content, confirms its position as the undisputed leader.

WWOS_MultiDevice
NRL_Talent2
NRL_Talent_Mobile

Your Footy,​ Your Way​

NRL_Logos_Mobile
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The NRL is a platform that provides brand partners with the opportunity to be top of mind and leverage the code in a number of ways, with fans actively engaged for 30 weeks of the year.  With Thursday, Friday, Saturday and Sunday broadcast opportunities, alongside three blockbuster State of Origin games, before the season showdown: the NRL finals series.  

But probably the biggest new opportunity for brands in 2022 will be our commitment to NRLW.  Next year we will have not just one NRLW premiership, but two. We will also include all free-to-air coverage of the Women’s State of Origin in prime time, combined with a new NRLW magazine show.

Check out what's in store for NRL on Nine in 2022

Let’s take a closer look at how brands have effectively used NRL in the last year

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Nine – Your home of Rugby

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We are also the home of rugby union, reaching more fans than ever. From the rugby purist to the casual viewer, we have all the action in one place, including Wallabies and Wallaroos test matches, the new Super Rugby Pacific competition, Super W, Shute Shield, and the Hospital Cup.  And with our WIN network partnership, it really is a sport that touches all corners of the community.

Take a look at what to expect from Rugby on Nine in 2022

AFLDevices

We've got footy covered

Alongside rugby league and rugby union, we have footy covered no matter the code – we have a complete AFL fan solution, taking you from radio on 3AW and 6PR to print and digital, all the way through to TV, leveraging our sport entertainment formats including Footy Classified and The Sunday Footy Show. Continuing our support of Women’s footy, Nine’s weekly opinion and analysis TV show Women’s Footy kicks off for a sixth season, where we catch up with the game’s biggest names and review each and every round in the run to the Grand Final.

Tennis_Talent
Tennis_Talent_Mobile

There's nothing like tennis on Nine in 2022

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Tennis_Logos

With our tennis offering now covering all four Grand Slams, we will bring brands even closer to the action. We have invested heavily in our content and distribution strategy, securing Nine’s position as the home of tennis in 2022 – covering every court, every game, every minute. This will allow us to seamlessly connect the dots across Nine’s complete tennis ecosystem.

Cricket_Talent
Cricket_Talent_Mobile

Our long history with the game of cricket continues

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Next year is set to be a huge year of international cricket, with the Women’s Cricket World Cup in New Zealand in March and the Men’s T20 World Cup in October, right here in Australia. Nine will provide extensive coverage of both events across our publishing mastheads, wwos.com.au, radio, along with Sport Sunday and the Today Show.

An incredible springboard that will lead us into the 2023 Ashes series, LIVE from England where Nine is the exclusive broadcast rights holder.   Before that, we’ll be covering this year’s Ashes series and full summer of cricket including men’s and women’s ODI and T20 series and Big Bash League extensively via Nine Radio featuring Australian cricket legend Mark Taylor, as well as updates on Today, 9News, SMH, The Age and WWOS.com.au.

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In April, the world’s best golfers return to the Augusta National Golf club in Georgia for The Masters to go head-to-head to take out the sport’s most prestigious title, where all the action will be screened on 9Gem and simulcast on 9Now.  All four golf majors including The British Open, The US Open and The PGA Championship will be covered comprehensively across our mastheads – the SMH and The Age, across Nine Radio and digitally at wwos.com.au. We’re gearing up for a big year of golf on Nine.

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Next year is also about dialling up the “wide” in Nine’s Wide World of Sports strategy, giving room and opportunity to tap into deep fan bases and elevating those sporting moments right across the wider Nine group.

Our Total TV strategy includes UEFA on Stan Sport and free coverage on Channel 9 and 9Now of The Champions League final, combined with one of cycling’s biggest events, and the UCI Road World Championships. Plus, on Nine Radio we will cover all the action from the spring and autumn racing carnivals, including the Melbourne Cup, Cox Plate and Caulfield Cup, the Winter Olympic Games, Formula 1, V8 Supercars, Tour de France, and the Sydney to Hobart Yacht Race via our outside broadcasts and tournament updates.

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Here at Nine, we don’t just serve up the main game, ​we connect Australia with a whole Wide World of Sports.

To harness this content lineup and make better use of some of the distribution platforms available to you here at Nine, let’s take a deeper look at our offering.

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Total TV

We offer not just the linear experience on Channel 9 but also the on-demand and streaming platforms 9Now and Stan Sport, creating new ways for brands to tell their story. In 2022, we will offer premium streaming integration on Stan Sport (now with over 250,000 subscribers) along with market-first innovations on 9Now.

Look out for our Wide World of Sport Mini Match content across all major sport codes. It’s the best of all sport, curated with only the highlights in mind that connect with a highly engaged fan base.

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Total Publishing

We are first with the agenda-setting stories. But we don’t just tell our readers what happened, we tell them how and why it happened. It’s that unique insight that sets us apart. In 2021, over 4 million NRL fans were reached by Nine’s cross-platform publishing offering. And AFL in The Age had a 12% page view increase year-on-year, with more editorial content published than ever before. All delivered by our dedicated sports journalists and expert commentators, who connect with Australia like no others can.

Ensuring women’s sport gains momentum in the year ahead, Nine will launch Gamechangers, featuring the Top 50 influential women in sport, in The Sydney Morning Herald and The Age.

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Total Audio

We offer a direct line to sport fanatics across our talk radio and digital audio content offering. With coverage encompassing football, tennis, cricket, sailing, horse racing, motorsport and golf. Major sporting events that truly matter to our local audiences, right across 12 months of the year.

Our leading audio content is delivered by Nine’s top sports journalists, experts and commentators, providing world-class analysis of all the action on and off the footy field. With a huge lineup of footy podcasts spanning the year, including Real Footy, Six Tackles with Gus, The Continuous Call Team, 3AW Is Football, Sports Day, Wide World of Sports, and the new additions 100% Footy and Footy Classified. Premium sporting content designed to connect with Aussies en masse and put your brand at the heart of the action.

Source: Roy Morgan Asteroid single source database for the 12 months ending June 2021; Nielsen Consumer and Media View Metro Fused Media S02 2021.
Google Analytics (October 2021) 

Coming in 2022

RealiseBigSport

Big ideas make brands famous. Brief us, use us, and challenge us.

We have a big idea for every budget, underpinned by Australia’s best sport content spanning television, digital, print and radio.  From the main game to the experts and the entertainers, we provide brands with an unrivalled platform to tell their story.

Don’t just take our word for it, see what some of our partners have been up to...

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Make your brand famous with the 2022 State of Origin.

Win $1 million in advertising inventory with Nine.

The biggest competition in Australian advertising returns for the 2022 State of Origin series.

The State of Originality is a call to arms for YOU – Marketers and your Creative teams, to elevate the power and importance of creativity and of course, originality, in delivering results.

This year Nine challenges you to help make the 2022 State of Origin not only an absolute sporting blockbuster, but also a much-watch TV event where the ads are just as exciting as the football action.

We’ve got the reach covered and we invite YOU to crack the creative.

Sport cuts deep into our culture and community

It’s powerful because it’s real. It’s powerful because it’s unscripted, and its powerful because the stories live on long after the lights of the stadium go down.

Harness the power of sport on Nine in 2022.

For further information, contact your Nine representative or complete the form, and a member of the team will be in touch.

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As Australia re-opens, brands truly delivering social good, localism and sustainability will roar ahead

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As Australia re-opens, brands truly delivering social good, localism and sustainability will roar ahead

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Emerging from lockdown is a “defining time for brands” and those that walk the talk to support communities, localism and focus on growth through doing good will power out of Covid – and well beyond, finds latest research from Nine, in partnership with Fiftyfive5.

Good equals growth

As states start to re-open, Nine’s research in partnership with Fiftyfive5 shows what people want from brands post-pandemic is to help rebuild communities and do social good.

The New Roaring 20s research study looks at how Australia will change over the next decade, but its near-term findings underline that consumer expectations of have shifted. They want brands to help build back better, support local communities and enable a more sustainable future.

“It’s a defining time for brands,” says Nine’s Sydney Head of Strategy, Steve Caunce. “Over the pandemic, Australians have definitely become far more attuned to how brands speak and more importantly, how they behave.”

Over the next 10 years, “these expectations are only going to increase, with an even greater focus around social good,” added Caunce. “Australian consumers are expecting brands to have a solid focus around sustainability. In fact, the research showed us that sustainability was the number one priority out of all the things consumers want from brands.”

Fivefifty5 Director, Hannah Krijnen, says the interviews and surveys undertaken for the latest research found brands big and small are recognising that need – and taking action.

“Whether that's about geographic community or the brand community online, we've really seen brands and businesses take a step towards having a bigger voice for the communities they stand up for, but also looking for ways in which the community can support them,” says Krijnen.

“So we’re seeing a really beautiful crossover between the interests of the brand, the business and the community – and we’re seeing those brands really step up into new opportunities and new growth,” she adds. “Most of the business owners we spoke to were very focused on community, what role it could play and how they too could play a better role in their community.”

Diversity, authenticity, stability


Looking further ahead, the research suggests brands can grow with Gen Z consumers by reflecting their values of diversity, authenticity and sustainability while providing them with stability in a less certain world.

“The importance of brands offering stability and consistency is something that shouldn't be underestimated,” says Caunce. “In fact, these advertising fundamentals haven't changed and I don't think they will change in the future. But the rate of change is something that the study really brought home – and brands will be required to constantly evolve.”

While flux can create consistency challenges for brands, change also brings opportunity for those that can adapt with agility, says Caunce.

Krijnen agrees: Marketers must prepare for a decade of rapid cultural and technological shifts, but retain the core principles of their craft as the world and market environments change.

“I've been talking to people about brands for almost two decades. So to see people really engaging with stories and engaging with how brands behave, giving them additional respect, intending to spend more money with them, really underlines the importance of the fundamentals of marketing and brand strategy,” says Krijnen.

“It does mean brands are more under the microscope, becasue people are really paying attention. But in many ways that will lead to stronger and better branding as well – because the more brands behave in the way that they talk, the stronger the brand is.”

Contact us for more information on how your brand can leverage the power of Nine to deliver real business outcomes.

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LEGO® Masters

LOGO LOCKUP

Australia's most imaginative family-friendly format

LEGO® Masters Australia returned for its fifth and most grand season ever. In a world-wide first, the absolute best of the best returned from previous seasons to battle it out against each other in LEGO® Masters: Grand Masters. As eight teams put their imaginations and building skills to the test, Larrikin best mates from Western Australia, Scott and Owen, were crowned the worthy winners. The impressively creative duo won $100,000 and the coveted title of the first ever LEGO® Masters Grand Masters champions. 

To find out what your brand can achieve with a LEGO® Masters partnership, request a tailored response to help realise your marketing objectives.

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Connecting with 3.9 million Aussies each week

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980,000

Total TV viewers each episode

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3.2 million

Live + VOD streams

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157.7 million

Live + VOD minutes

Source: TVMAP VOZ Analyser, VOZ Data 5.0 © OzTAM Pty Limited [2023], NATIONAL, 9 Network + Affiliates + BVOD, 10/04/2023 -15/05/2023 Cumulative Reach (000's), Total TV, Linear TV, BVOD (Based on When Watched) , Total People, When Watched.Source: TVMAP VOZ Analyser, VOZ Data 5.0 © OzTAM Pty Limited [2023], NATIONAL, 9 Network + Affiliates + BVOD, 10/04/2023 -15/05/2023 Cumulative Reach (000's), Total TV, Linear TV, BVOD (Based on When Watched) , Total People, When Watched. OzTAM LIVE + VOD VPM, Rolling 7, Lego Masters: Grand Masters, 10/4/2023 – 08/5/2023, includes co-viewing on connected TV devices OzTam Metro + Regional Data, 'Lego Masters: Grand Masters,' 10/04/2023 - 08/05/2023 Overnight and Timeshift to 7, Average Audience, Total People.OzTAM Live + VOD VPM, Rolling 7 Day Cume, Lego Masters Grand Masters, 10/04/2023 – 15/05/2023, includes co-viewing on connected tv devices.OzTAM Live + VOD VPM, Rolling 7 Day Cume, Lego Masters Grand Masters, 10/04/2023 – 15/05/2023, includes co-viewing on connected tv devices.

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3 million

Regional viewers reached in 2023

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25%

Of live + VOD minutes viewed on 9NOW were from Regional AUS

Source: TVMAP VOZ Analyser, VOZ Data 5.0 © OzTAM Pty Limited [2023], Regional (Inc WA +RoA) , 9 Network + Affiliates + BVOD, 10/04/2023 -15/05/2023 Cumulative Reach (000's), Total TV, Linear TV, BVOD (Based on When Watched) , Total People, When Watched.OzTAM Live + VOD VPM, Rolling 7 Day Cume, Lego Masters Grand Masters, 10/04/2023 – 15/05/2023, includes co-viewing on connected tv devices.connected tv devices.

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LEGO® Masters is the show that connects

“LEGO® Masters is a format like no other in its ability to connect with audiences. From young to old, from men to women, this is a rare program that unites and connects the entire family.

This is the reason we have committed to sharing it on your screens for the next two years. It is because of its power to connect audiences in ways other shows don’t.”

Michael Healy
Nine’s Director of Television

LEGO® Masters connects your brands with

POSITIVE BRAND PERCEPTIONS
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Trusted
Fun
Innovative

Nine’s brand impact studies conducted by Gemba on behalf of our major LEGO® Masters sponsors over the last 2 years have highlighted that partnering with the show delivers strong lifts in perceptions of Trust, Fun and Innovation. Adding to the already vast amount of evidence that shows how viewers' feelings towards a show halos onto the brands that partner with them. ​

Find out how LEGO® Masters boosted perception of an iconic Australian retailer

The toy category is very competitive, so Kmart partnered with LEGO® Masters with the objective of driving traffic to Kmart stores, as well as cementing Kmart as the No.1 retail destination for the LEGO® product.

Kmart leveraged IP across their assets in the LEGO® Masters Broadcast, Digital and Social channels, as well as online and instore. This strong partnership would cement them as the home of LEGO® in Australia.

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6%
uplifting in campaign messaging

7% pts
uplifting in brand consideration

14% pts
previous 4 week purchase

Source: Gemba brand health study 2020

To find out more about what your brand can achieve with a LEGO® Masters partnership, request a tailored response to help realise your marketing objectives.

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Parental Guidance

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Brand New Event Series

Exploring the most pressing issues facing Australian Families Today. 

Building on the success of its first two seasons, which delved into diverse parenting styles, this new series takes a bold step further.

Hosted by the dynamic duo of Ally Langdon and Dr. Justin Coulson, the series features eight families navigating eye-opening challenges centred on critical topics such as screen time, mental health, body image, and social pressures.

To find out what your brand can achieve with a Parental Guidance partnership, request a tailored response to help realise your marketing objectives.

INFLUENCER

472K

Metro TV

207K

Regional TV

132K

BVOD National

811K

Total TV

Source: TVMAP VOZ Program Analyser, VOZ Data 5.9 © OzTAM Pty Limited [2023], NATIONAL, Nine Content, 01/01/2023-31/12/2023, Average AUD, contains ‘Parental Guidance’, excludes ‘encore’, Total People, Metro & Regional Broadcast (excl spill), National BVOD, Con 7.

Think big with a show fit for any category

Parental Guidance is a show that is captivating, entertaining, educating and has families Australia wide starting a conversation about their parenting styles. There is no other show like this on Australian television.

Parental Guidance is produced by Eureka for the 9Network.

To find out more about what your brand can achieve with a Parental Guidance partnership, request a tailored response to help realise your marketing objectives.

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