How Nine and Magnite Push Programmatic Boundaries

Nine and Magnite Unpack Programmatic Transparency, Live Streaming, and the Power of Direct Publisher Partnerships

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Duane Hatherly

Head of Editorial, Mediaweek

12th May, 2026

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Pictured: Maddy Mewing (left) and Julia Edwards (right)

Securing millions of eyeballs during prime time looks great on a network press release. However, monetising those streaming audiences at the speed of live television presents a completely different challenge.

Behind the screen, Connected TV (CTV) and programmatic advertising serve as the vital plumbing that turns those viewers into revenue. This unseen engine dictates exactly which ad plays to which household in a matter of milliseconds.

To unpack exactly how this technical wizardry works, we sat down with Julia Edwards, Director of Programmatic Sales at Nine, and Maddy Mewing, Director of Platforms at Magnite, for Mediaweek’s Newsmakers podcast.

A monster first quarter of consumer hits created an equally massive stress test upon the ad tech stack at Nine. Edwards knows the sheer scale of this challenge firsthand.

“We call it the quarter of two quarters,” Edwards said during the podcast. “It has definitely been a remarkable first quarter. Obviously, from a 9Now perspective, we have dominated the key demographics. We have had major hits like Married at First Sight, Winter Olympics, Australian Open.”

Listen to the full podcast with Julia Edwards and Maddy Mewing here.

Busting the Black Box Myth

Packaging those premium viewers often leads marketers into the world of programmatic advertising, where they can reach audiences across multiple publishers in a more scalable and efficient way.

Mewing pushed back on the industry narrative that programmatic advertising remains inherently flawed.

“It hurts me when programmatic is said that it is a black box, because I think if you are with the right partners, that is not the case,” Mewing said. “At Magnite, one of our biggest mantras is transparency. We provide the technology, and the broadcasters use it how they would like it to be used.”

The Challenge to Media Agencies

That direct relationship between publisher and tech partner provides the ultimate weapon for supply path optimisation. When multiple tech intermediaries clip the ticket along the way, working media budgets quickly evaporate.

Mewing laid down a direct challenge to media buyers who still rely on bloated multi-hop supply paths.

“Research shows that 50 to 60 cents of the dollar reaches the publisher,” Mewing noted. “So those intermediaries that come through there, I would challenge your agency: what are those values, who are they, and what are they charging? Demand that transparency so you ensure that all of your dollars are going towards your working media.”

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Taming the Live Sport Beast

Standard digital campaigns afford buyers the luxury of time to calibrate pacing and delivery. Live sport operates in a completely different reality.

When a major game kicks off, millions log on simultaneously. This traffic surge forces the infrastructure to make split-second decisions without crashing.

“We are talking about bidders that work in milliseconds, right?” Edwards explained. “But a millisecond that has to go to the US West Coast and then come back to an APAC Singapore region to come back to Australia to make a decision in the middle of State of Origin, you have got to make that faster. Any delay is a missed revenue opportunity.”

This exact challenge is why Nine leverages Magnite’s purpose-built live infrastructure, which includes Live Scheduler.

The technology allows Nine to ingest metadata, forecast demand ahead of a big moment, and pre-position inventory rather than reacting blindly to a sudden traffic surge.

The Agentic Future of Buying

The industry currently braces for incoming privacy changes and the rise of artificial intelligence. Consequently, the technical complexity behind the scenes only increases.

“The big buzzword at the moment is agentic, and how that will work within the programmatic ecosystem,” Mewing said, referencing the shift toward automated AI buyers and sellers. “Making sure that there is transparency across the funnel is very hard to just pick up and run. As these technologies mature, they have the potential to streamline workflows, improve decision-making, and unlock greater efficiency across the ecosystem.”

If the industry hands the keys over to automated agents, we’d be best reminded that the most resilient tool in a programmatic tech stack might not a piece of software. But a transparent, human partnership.

Looking for more efficient, effective and transparent ways to grow your business? Enquire today.

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The News Effect | The Gen Z Curator: Why Quality News is a North Star

EPISODE TWO //

The Gen Z Curator

Why Quality News is a North Star

Contrary to the myth that younger audiences have checked out of traditional media, Gen Z is proving to be the most discerning and news hungry demographic yet. Lisa Muxworthy, Head of Growth Content for Nine Publishing, breaks down how The Sydney Morning Herald and The Age are meeting this story-first generation.

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Pictured: Lisa Muxworthy (left) and Ashleigh Thomas (right)

There is a massive misconception that Gen Z has abandoned the news. In reality, the data tells a completely different story. This is a generation of curators who actively manage information from five or more sources simultaneously, and they are the demographic most inclined to pay for a news subscription.

In the second episode of The News Effect series, Ashleigh Thomas is joined by Lisa Muxworthy to discuss how Nine is evolving its distribution to reach this audience without compromising on editorial authority.

From article-first to story-first

To reach an audience that lives across social feeds, Nine has shifted its approach to content delivery. According to Muxworthy, the goal is to meet Gen Z where they are, rather than waiting for them to find a traditional landing page.

“The biggest shift for us has been video – it’s increasingly audience-first,” Muxworthy explains. “When we have a big investigation, it’s not just a long read. It’s a 90-second video giving the behind-the-scenes, and it’s a podcast episode on The Morning Edition featuring the reporter behind the story. It’s gone past being ‘article-first’ to being ‘story-first.’”

The subscription mindset

Gen Z’s willingness to pay for news comes from a place of skepticism. In a digital environment flooded with unverified claims, they are looking for a professional source to act as their personal fact-checker.

“They have a really healthy news diet,” says Muxworthy. “What they want from us is trust and authority. They are seeing things in their social feed fed by an algorithm and using our brands to say, ‘Okay, is this correct or not?’”

As AI-generated content makes it harder to distinguish fiction from fact, the value of having boots on the ground – whether it’s a reporter in a local courtroom or a foreign correspondent in Lebanon – provides a level of validation that an algorithm cannot match.

Breaking the echo chamber

One of the greatest risks of a social-only news diet is the echo chamber effect, where algorithms serve users content that only reinforces their existing beliefs. Muxworthy argues that Gen Z’s habit of consulting multiple sources shows a desire to be challenged – a need that heritage mastheads are uniquely positioned to fill.

“We should all be challenged. We should be hearing both sides of a story,” Muxworthy notes. “Whether it’s balanced reporting or hearing a different opinion that you might not agree with, it makes you think.”

The bottom line for brands

For advertisers, the 'Gen Z Curator' represents a high-value opportunity. This audience isn't passive; they are active, engaged, and willing to invest in quality. By appearing alongside trusted journalism, brands align themselves with the authority and credibility that this generation is actively seeking.

As Muxworthy concludes: “They don’t want AI sludge. They want to pay for a service they can trust. Journalism will be around for many years because of what we are able to give our audiences.”

Watch the full interview with Lisa Muxworthy to learn how the next generation is reshaping the future of news.

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