How Australia watched Specsavers and Married at First Sight tie the knot, fast

Powered Unpacked

How Australia watched Specsavers and Married at First Sight tie the knot, fast

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Creative vision


Specsavers head of marketing and planning, Shaun Briggs, needed a big brand hit to kick-start life after COVID. MAFS was hardly love at first sight. But it quickly grew – literally – as the brand, its agency AJF Partnership, and Nine’s Powered creative unit delivered a bespoke integration within weeks. For Briggs, “it’s been an eye opener”.

In the year we’ve just had, people who should – and would – have gone to Specsavers couldn’t and didn’t. So as COVID restrictions eased, the firm needed to start 2021 with a big bang. Hitting “huge audiences” fast was critical, according to head of marketing and planning, Shaun Briggs.

Married at First Sight, while not immediately obvious to the brand, ended up becoming the perfect match: If you’re getting hitched Vegas-style, you need chemistry and a clear view of what you’re getting into. That goes for brands and media tying the knot as much as people.

Once the concept hit home, Briggs says committing to partner the tent-pole program was more informed investment than big bet.

“We’re a big player in the market and we need a big audience. It wasn’t the most obvious property to partner with,” says Briggs. “But when you take our ‘Should've Gone to Specsavers’ creative idea and consider can we apply that in an appropriate way, the answer was, well, yes we can.”

 

Watch episode two above or stream below:

Do the MAFS


Once the brand had run the numbers – audience and financials – “It wasn’t that difficult to get through [management approval]. Once we got to the creative idea and how we could bring ‘Should've’ to life, it actually became quite an easy process through the business,” says Briggs.

“By showing that MAFS was big reach, right time of the year, right days of the week, it ticked a lot of boxes. Then, by showing that the numbers added up and we weren't overpaying, it really wasn't that difficult.”

There’s a lot of equity built into the Specsavers brand, “and we’ve built that up by delivering a lot of ‘Should’ve’ campaigns and sponsorships over the years,” says Briggs. “So there’s trust [from management] that we know what we're doing, that we're not going to risk the brand.”

But what was different this time around was that Specsavers locally was given the nod to create a bespoke, integrated TV ad specifically for the show.

TV made easy


Specsavers creative usually comes out of the UK. Briggs was initially unsure that there was time to create something bespoke for the show that ticked all required boxes – and would be as good as anything from London.

Given the short timeframes involved, Briggs admits there was some nervousness around throwing together Specsavers’ new creative agency, AJF Partnership, with Nine’s internal creative unit, Powered.

“I really thought it was going to be a tight ride back and so did the rest of the team. But actually it was easy,” he says.

“It was a good brief, and I think ‘Should've’ is fertile creative territory, which is very helpful as well. But between Nine and AJF, everyone understood what we were trying to achieve.”

The two teams quickly delivered three concepts, with one that stood out, says Briggs.

“We had one or two rounds of feedback and amends, and then we were into production. So I would say it was seamless, everyone got it. I think the guys at Nine absolutely understood what we're trying to achieve and quickly understood the nuances, and that made it really easy,” he adds.

“I should have been probably less surprised given all the production that Nine does, but part of you gets a little surprised that they were able to get there so quickly.”

Creative eye opener


Briggs was pleasantly surprised at Nine’s creative capability.

“That’s definitely something for all of us to remember. I spend a lot of media money and I probably don’t think enough about the other elements and where you can get more from it,” he says.

“We’re maybe a bit too quick to say, ‘Well, we’ve got a creative agency already,’ and you get a bit of a blind spot. But in this instance, we’ve shown ourselves that it’s not necessarily the best way to get the work done. The production capability meant we could go really fast, yet everything was done to an exceptional standard. So for me, it was definitely an eye opener.”

Watching results roll in


While brand campaigns can only be measured over the long term, Briggs says the early signs are good.

“This was very much a brand play for us. But we’ve had a great March. We have had some really good website traffic, up 6-7 per cent on January, with a higher proportion coming from direct and organic. And March was very good from a top line perspective as well,” he says.

Ahead of running an assessment of the MAFS execution next month, it’s hard to pick out a single element of its marketing mix in driving that growth. But Briggs says he’s feeling confident, given the buzz the campaign has created.

“We've got 400 stores across Australia and New Zealand, a couple of million people go into the website every month. They are such big numbers that it's hard to pull out one thing, but everything works together,” he says.

“People were definitely talking about it. We had good interaction on our own socials. There was a buzz within the office."

“I think it had an impact at the right time of the year – and with the numbers we saw, for the first time in a long time, I was eagerly waiting for the ratings to come through. You're looking at them and thinking, I can see these results in the numbers.”

Contact us for more information on how your brand can leverage the power of Nine to deliver real business outcomes.

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Why advertisers must rethink strategies to convert surging domestic travel demand

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Journey mapping

Why advertisers must rethink strategies to convert surging domestic travel demand


After the year we’ve just had, Australians are desperate for a holiday. But their demands and behaviours have shifted – and they are planning and booking very differently. For advertisers, that presents both challenge and opportunity.

Consumer confidence is returning and millions of Australians are now planning an interstate holiday, according to latest data.

But the way people are researching, planning and booking has shifted. In effect, consumers are now on a longer, more laborious journey before they even take a trip. In a post-pandemic landscape, there are many more factors to consider.  Which means marketers must rethink strategies to be sure of landing messages at just the right points along the way – and converting when the time is right.

 

Watch episode one above or stream below:

Intent and confidence rising


Intent to travel interstate has increased significantly from January to March, according to Kantar’s monthly poll of 4,000 Australians. Across the country, people want to create their own journeys and find new experiences after a year of uncertainty.

That’s fantastic for the tourism and leisure industries as they regroup and rebuild post-Covid, says Kantar National Director, Kirsty MacMillan. But she and Nine Director of Strategy, Insights & Effectiveness, Toby Boon, urge brands to recognise that consumer journeys have also shifted over the last 12 months: There is now far more attention to detail.

“Every week, Australians get a little bit more confident about what they're going to be able to do, where they're going to be able to travel, and feeling a little bit safer. But there is definitely a change in the way that we see things and the way that we approach things,” says Boon.

“We're now far more conscious about things like health and safety, about regulations, about whether or not cancellations are going to hit us in our pockets. So that travel planning phase, which was once part of the experience, part of the fun, now feels a lot more like homework.”

Expectations have also shifted. Whereas once families were making decisions based on the size of the water park, “now we just want to know whether or not the pool is open, whether there are safety precautions in place – whether we're going to be able to get in there at all”, says Boon.

Advertisers: New approach required


Australians are trying to balance practical priorities with a desire to “discover some newness” domestically, says Kantar’s Kirsty MacMillan. As such, there has been a “noticeable shift” in how people are planning and booking – and how far they are casting their nets.

MacMillan and Boon say that has implications for advertisers.

“Over the past year or so, when we have traveled, we've tended to stay quite close to home and sort of go to those reliable places where we know we're going to feel safe,” says Boon, and marketers have mirrored that approach.

“A lot of advertisers have taken a relatively safe path. They have reached for those ‘greatest hits’, the familiar things that they know people are going to respond to.”

Domestic travel consideration:

Now, he says, advertisers must not only introduce new ideas, “but also recognise that the way that people are planning their journey has changed quite a lot. It's not linear anymore, it's longer”.

Adapting to those behaviourial shifts will give advertisers a far greater chance of influencing decisions, says Boon, while MacMillan thinks successful marketers will be those that adjust their messaging accordingly.

“So how [advertisers] interact and facilitate that behavior change through their communications, but also the product and experience they're developing and adapting that to the change in values that we're saying as well,” she says.

Boon agrees.

“There is space for clarification and simplification in the messaging,” he says.  Take that feeling of homework out of it and get people back to being excited about travel again – and if you can make those messages clear, that is going to be really helpful.”

Top 5 Purchase Considerations:

30%

Australian holiday

21%

Gardening items

21%

Clothing

18%

Finance Investments

17%

Wine

Think longer, convert stronger


Given rising demand, advertisers that tailor their strategies to the new environment stand a far better chance of converting. Ultimately, brands need to start advertising earlier and maintain engagement with audiences over a longer period.

“Because of that shift in the consumer journey, we're planning earlier, but you need to be able to keep those people warm – so even if they're not traveling right now, those people are still in the market,” says Boon.

“They want to travel and they want travel advertisers to be talking to them. So now is actually the time to be really dialing up your communication with them, not pulling back,” he adds.

“We are desperate to get out there. We might be thinking more long-term, we might be thinking further ahead than we were, but the desire is really there.”

For more information on Nine’s consumer pulse research, and how Nine can help brands navigate the consumer mindset, head to https://www.nineforbrands.com.au/consumer-pulse-march/  for more information, or reach out to your Nine sales representative.

Contact us for more information on how your brand can leverage the power of Nine to deliver real business outcomes.

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Footy On Nine

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Unlock the marketing power of footy on Nine

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Footy cuts deep into our culture and community. It’s powerful because it’s real. It’s powerful because it’s unscripted, and it's powerful because the stories live on long after the stadium lights go down.

Nine offers the best in sport marketing, all in one place.

Unrialled Scale & Connection

Unrivalled scale & connection

Best Story Tellers

Australia’s best storytellers

World Class Execution

World class creative & execution

Measureable Outcomes

Measurable, effective outcomes

Nine has footy covered, no matter the code.


There's only one place you can unlock the marketing power of Australia’s biggest codes – and that’s right here with Nine and the Wide World of Sports.

From the main screen on Channel 9, streaming on 9Now, to print and digital extensions and weekly coverage across Nine Radio, footy on Nine is unrivalled, and here to connect with millions of Australians.

The opportunity to reach and engage footy fans, no matter the code, has never been easier.

 

Through footy, we can help your brand deliver real, measurable results.


Great advertising goes hand in hand with great content – it drives real, measurable results.

At Nine, harnessing a combination of content, data and technology, we can provide you with the right ingredients to deliver the most effective advertising outcome and ensure marketing is viewed as a growth engine for your business success.

 

Television & BVOD

Footy on Nine in 2021


Nine’s Wide World of Sports continues its commitment to redefining sports broadcasting and enabling brands to harness the power of the most exciting sporting moments of the year.

The 2021 NRL series, along with the crowning jewel of rugby league, the State of Origin, will present an unrivalled marketing platform for brands to connect with millions of fans, bringing with it Nine’s best-in-class coverage and leading innovations.

In 2021, Rugby Union is now screened to the masses through a total television solution ensuring fans won’t miss any of the action; and now it’s all in one place. From Super Rugby to Club Rugby, from the Wallaroos to the Wallabies, there is literally no place like Nine to reach and engage more Australians through the power of sport.

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Make your brand famous with the NRL Finals

The NRL Telstra Premiership Finals will provide viewers with four massive weeks of action. Presenting an unrivalled marketing platform for brands to connect with millions of fans, the NRL Finals Series delivers blockbuster results year after year.

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Underpinned by the best in sport entertainment and news

Radio

Footy on Nine Radio

Nine Radio is a direct line to the footy fans of the nation. Serving up the biggest and best footy Australia has to offer, with world class analysis and all the action on and off the field. Nine Radio allows you to create a deeper connection with fans on the way to the ground and extend conversations throughout the season. The power of talk will be unrivalled every week, across every game.

The Continuous Call Team brings you the footy action throughout the NRL season, headlined by some of the game’s greats and expert commentators.

When it comes to AFL, Nine's 3AW and 6PR Football stations are second to none. With longer pre-game and post-game than anyone else in town, our radio footy coverage is unmatched.

Publishing

Nine's premium digital and publishing brands

Nine's publishing assets (print and digital) have a legacy of comprehensive footy coverage with all major games across three codes covered and analysed by some of the best in the business.

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Digital

Nine Digital's Wide World of Sports 

When it comes to digital, Wide World of Sports has the platform to create a deeper connection with footy fans across online, podcast and social.

There is unmatched opportunity to connect with over four million sports enthusiasts through Nine’s digital assets and the power of wwos.nine.com.au 

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And that's not all Nine has to offer footy fans...

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We've recognised that audience habits are changing and we've changed with them by combining Nine's free-to-air assets with Australia's leading local SVOD service, Stan.

For the first time, Nine, Gem and 9Now will broadcast the entire rugby offering on FTA, from grassroots Rugby all the way to the Wallabies. Rugby fanatics can connect and engage with every game of rugby in 2021 on Stan Sport.

The launch of Stan Sport enables Nine to deliver a “whole of television” approach to footy by offering extensive live and on-demand coverage to Stan subscribers, as well as making select premium events available on Nine’s FTA television channels.

The move will allow Nine to choose the most appropriate platform for sport in 2021 and beyond.

There's no place like Nine. It's Your Footy, Your Way.

Get in touch!

Contact us for more information on how your brand can leverage the power of Nine to deliver real business outcomes.

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How Samsung harnessed summer’s greatest grand slam to put the new galaxy s21 at the heart of the action

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HOW SAMSUNG HARNESSED SUMMER’S GREATEST GRAND SLAM TO PUT THE NEW GALAXY S21 SERIES AT THE HEART OF THE ACTION

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Powered by Nine’s group creative solutions manager, Gareth Beale, demonstrates how the power of marketing in and around big sporting events enables brands to ride the wave of cultural relevancy across all media channels.

For Australians, sport is engaging because at its core it taps into the emotions of a nation, unites us, inspires us and keeps us coming back for more, time and time again. For marketers, it’s also a powerful content vehicle that can take a brand across every media channel. Which is exactly what Samsung, in partnership with CHE Proximity and Nine, did to launch its new smartphone, harnessing the 2021 Australian Open.

Samsung was looking for ways to launch its new product, the Galaxy 21 Series to market that would firmly embed it into Australian culture, while creatively showcasing how the Galaxy S21 sets the bar in smartphone photographic capability.

The camera’s superiority provided Nine’s marketing solutions division, Powered by Nine, with the creative territory to thread the campaign across not just summer’s biggest sporting event the Australian Open, but also across Nine’s broader content ecosystem. Our mission was to encourage consumers to capture the epic in every day using the Galaxy S21.

Owning the coverage from every angle

Core to the campaign was Nine’s TV coverage, providing a canvas for Samsung to creatively showcase its new product features in-program, using features like the Samsung epic replays, to not only bring the viewer closer to the action, but also aligning the Samsung brand and the Galaxy S21 with epic moments in play.

Extra features on the phone, such as superior clarity and the ability to capture stills from video footage, were further emphasised with brand association on Nine’s Wide World of Sports Fly Cam, which captured footage of the AO precinct, city skyline and outer courts.

The high-value video capabilities of the Galaxy S21 were demonstrated by Powered Studios shooting two commercials using the smartphone camera, sending it into the skies of Melbourne via a drone. The commercials emphasised the incredible production values of the Galaxy S21camera, capturing city sights, Melbourne’s famous alleyways, and cultural scenes that gave Samsung a local feel to their commercial content outside of their global creative.

Leveraging an Aussie tennis champion

Authenticity was key to the campaign’s success. To reinforce the in-program exposure, former tennis player and Nine sport commentator Sam Groth was entrusted as a GalaxyS21 ambassador to capture on-ground content for his personal social channels. The association extended across Nine’s talk-radio network, with daily live updates with Sam on 2GB and 3AW Breakfast shows, presented by Samsung Galaxy S21.

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Image-led storytelling, crafted by experts, using new technology

The storytelling power of print was used for an unmissable media first, with high-impact, double-page spreads in The Sydney Morning Herald and The Age featuring images shot by photographers using the Galaxy S21. The images showcased Melbourne at its best, capturing city scapes, laneways and the energy of the Australian Open. A visual celebration of a city reawakening off the back of the COVID lockdowns.

The image-led approach to content extended across Nine’s publishing network into Good Food, with editorial hitting the streets of Melbourne armed with the Galaxy S21 to create digital and social content centred on Melbourne’s food culture.

The print experience was wrapped up in an informative five-page, reverse-back booklet in Sunday Life magazine, educating readers on how to capture their own memories using their Samsung S21.

If the goal of cross-channel marketing strategy is to tell customers a similar brand story across multiple channels, but play to the nuances of each platform, the Samsung Galaxy S21 campaign demonstrates the ability for sporting events like the Australian Open to deliver on this premise in spades.

It’s even better when you can do it with a single media partner who can help deliver a campaign at scale across multiple mediums, within brands that are woven into the fabric of Australian culture.

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For more information on Powered by Nine, Nine’s marketing solutions division, head to:

How the power of collaboration helped Tourism Australia start faster

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Off the back of helping Tourism Australia launch one of its biggest weeks of domestic marketing ever, Powered by Nine’s head of creative solutions, Caitlyn Brukarz-Smith, explains how dynamic media mix, trust, and an agile team sits at the heart of the most impactful media partnerships.

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While the idea of a media partnership has been around for a long time, it quite often still requires the planets to align on strategy, targets and message to ensure a meaningful outcome is delivered. This is a process that can frequently involve multiple rounds of briefs, and meetings between multiple stakeholders spanning media owner, media agency, creative agency and client to get us to the finish line.

But when the planets do align, which they did in the case of Tourism Australia’s “Travel Takeover Week campaign”, you realise success doesn’t necessarily need the long-winded time investment we have all come to believe big campaigns take. It just needs a lot of trust from all parties involved, and it helps when you work with a partner who can bring all the key media assets together under one roof.

Trust trumps time

Time was never going to be a luxury when it came to responding to Tourism Australia’s brief. Based on the changing tourism landscape, we had to think fast and smart in the way we responded.

The brief came after what could only be described as one of the hardest years in tourism history, scarred by devastating bushfires and the global COVID-19 pandemic.

The client came to us just before a holiday period which was characterised by concerns about a new wave of COVID-19 strain, state border closures, and incessant hotspot lockdowns that continued to cast a cloud over not just international travel but also domestic travel.

Our challenge was to help boost confidence in domestic tourism and encourage Australians to make travel plans by showcasing the opportunity to holiday here this year.

Our response needed to speak to all Australians – whatever position they were in, whether that was ideating, planning or booking their next vacation. The campaign didn’t just need to inspire and encourage Australians to dream. Crucially it had to make them act and book a trip.    

Tapping into Nine’s 9Nation consumer insight panels that aggregate feedback from our TV viewers, publishing readers and the conversations we have with our trusty radio listeners, our creative proposition was derived: we needed to draw upon the ideology that Australians have never felt so lucky to live where we do. 

The rest of the world recognises us as a country living the dream, with a beautiful, vast and safe landscape surrounding us. Our opportunity was to encourage Australians to live that dream and book a holiday here this year. After all, we are the envy of the world and could all use a break.  

A harmonious approach to cross-platform creativity

This feeling was brought to life by a series of creative, cross-platform executions using trusted on-air talent as a call to arms. Each execution was created with the channel and its audience in mind.

An emotive commercial featuring trusted and much-loved talent ran in key prime-time programs on the 9Network and across 9Now. The “community service” style spots provoked a sense of Australian pride, and presented an authentic and emotive personalised story, delivering the “travel here” message with impact.   

The TV campaign was complimented by an emotive radio schedule featuring local Nine radio presenters to ensure relevance across the country. One of our greatest strengths with radio is its ability to converse and connect in real time. So we also committed to asking on-air guests and contributors the important question: “We’re living the dream in Australia right now. If you could pick anywhere to travel domestically where would it be?”   

"We’re living the dream in Australia right now. If you could pick anywhere to travel domestically where would it be?”

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We implemented solus billboards and cleverly crafted messaging via pull-throughs across relevant, high-rating broadcast programming to ensure we didn’t just inspire, we aided consideration.

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We used the storytelling power of print to launch an unmissable and informative four-page branded content wrap of The Sun-Herald. A blank map of Australia on the cover garnered eyeballs in cafés and homes across Sydney, encouraging readers to build their own travel itinerary. The double-page spread that followed included different ways to experience Australia, and featured QR codes to help the reader’s journey.

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High-impact digital media across nine.com.au and publishing websites complemented native content from Nine’s travel experts, exploring different domestic themes and destinations.

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All in all, from brief to execution, the campaign was turned around in less than four weeks, featuring multiple iterations of campaign creative running across Nine’s television, digital, print and radio assets.

It’s still early days for hard success metrics from one of Australia’s biggest domestic tourism pushes, but one thing already clear is that time is no longer the barrier for big creative thinking –you just need to invest in a partnership you can trust, and one that offers the right media assets to deliver success.   

For more information on Powered by Nine, Nine’s marketing solutions division, head to:

Nine Q1 in 2021

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Turn content into real business results with Nine in 2021

Great advertising goes hand in hand with great content. It drives real, measurable results.


At Nine, harnessing the right combination of content, data and technology, we can provide you with the right ingredients to deliver the most effective advertising outcome and ensure marketing is viewed as a growth engine to your business success.

With a range of content vehicles spanning news, sport, entertainment and lifestyle, we have a range of integration solutions on offer to ensure your brand remains top of mind long after your content has run.  

 

Here's what's to come from Nine in the coming months:

Television & BVOD

Harness the power of Australia's biggest marketing platforms!

Breakfast
News & Current Affairs
Evening Entertainment
Sport
Sport Entertainment

Great advertising goes hand in hand with great content. It drives real, measureable results.

Don’t take our word for it? Check out how clients have harnessed the power of Nine’s TV assets

Radio

Start a conversation with Australian consumers

With a reinvigorated breakfast line up right across the schedule and the power of two cross platform super brands, there’s never been a better time to explore the power of talk-radio.

Publishing

Own the weekend mindset with our upcoming publishing features

On weekends, we have a bit more time on our hands to lean back and be inspired about ways to improve our homes, try a new recipe, add to our wardrobes, dream about travel, and invest time in things we are passionate about. In general, we are also more likely to spend more on weekends than any other day of the week.

Start off the new year by partnering with Nine's premium digital and publishing brands, which continue to captivate audiences with news, opinion and lifestyle content. From The Australian Financial Review's Magazine to Good Weekend and more, we are at the heart of conversations that matter to Australian’s.

With an unrivalled schedule of special issues in 2021, Nine has never been better positioned to help you grow your brand over the coming months.

April

AFR philanthropy

The Australian Financial Review Magazine
THE PHILANTHROPY 50 + WOMEN'S WATCH

Publishing 30th April 2021

This issue includes the highly anticipated Philanthropy 50 which reveals Australia's 50 biggest private givers. Now in its fifth year, this widely read list is the definitive account of who among Australia's wealthiest people gives away the most. It also sets the tone for the issue which explores the powerhouse that philanthropy has become in Australia. ​​

Also in the issue is our annual women’s watch special. Written and edited by watch editor Bani McSpedden, it highlights the women’s watches that are proving more than a match for men’s timepieces in desirability and design, and brings exclusive insights from industry leaders.

Booking Deadline: 19 March, 2021
Material Deadline: 2 April, 2021

Good Weekend
EDUCATION SPONSORED CONTENT

Publishing 24 April 2021

​The decision on where to send your children to school is one of the most important a parent will make - and in 2021, there are more options, and more factors to consider, than ever.  ​

In a special advertising report produced in association with some of the best independent schools in Australia, Good Weekend will help navigate parents through the maze of information to land on the best decision for the most important little people in their lives. ​

With a high AB readership and reputation for quality journalism, this Good Weekend special advertising report will be read closely by parents across NSW, Victoria and beyond. Advertisers have the option of booking into the special advertising report reverseback itself, or alternatively into the host magazine, which will feature its weekly range of compelling features together with its much-loved regulars such as Two of Us, Dicey Topics, Modern Guru, Foreign Correspondence, recipes and of course, The Quiz. ​

Booking Deadline: 26 March 2021
Material Deadline: 14 April 2021

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Good Weekend
EASTER BUMPER SPECIAL

Publishing 3 April 2021

It's Easter - time to sit back with your favourite magazine, in the last rays of summer light, with big surf out the window and a roaring fire inside, a glass of red wine in hand. And this bumper Easter Good Weekend special has plenty to satiate your appetite, including: ​

  • The Return of the Great Aussie Road Trip ​
  • Easter feasting
  • Pets gift guide

Booking Deadline: 5 March 2021
Material Deadline: 24 March 2021

Get in touch!

Contact us for more information on how your brand can leverage the power of Nine to deliver real business outcomes.

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Nine’s Summer of Tennis 2021

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Nine's Wide World of Sports is committed to bringing an unmissable summer of tennis to Australian audiences in 2021.

In 2020, Nine's coverage of the Australian Open recorded some of the highest ratings of the year. In 2021, with limited on ground crowd attendance, a broadcast partnership will put your brand front and centre with tennis fans and fanatics alike.

Join us for the Grand Slam that will unite Australians more than ever before.

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Nine’s Australian Open coverage treats viewers to every ball of every match on every court, giving Australians the best tennis experience available. Our expert team of hosts and commentators, backed by the unrivalled resources of Nine’s Wide World of Sports, means viewers are taken closer to the game than ever before.

There's only one place to be this summer

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A world of tennis on Nine's Wide World of Sports

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What are the key ingredients that make a fan?

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Tennis has created a powerful community of fans who don’t just consume but contribute by taking pleasure from the shared enthusiasm they have of the game. They embrace more than the source of material of their fandom with time and money, and they devote themselves to the sport, through thick and thin.

Whether you’re a super fan or general fan, the key ingredients to connect remain the same. At Nine we can help connect.

Let's hear from a tennis fan

Tennis fans are committed, passionate and have money to spend

The Australian Open has a highly engaged audience at its core. 52% are superfans, those who are obsessed with tennis and are not afraid to shout about it. 48% are general fans, those who see tennis as an enjoyable annual experience.

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Wide World of Sports is where fans connect

From our broadcast and BVOD coverage, through to our leading digital ecosystem, publishing assets and new radio stations – the opportunity to connect and align with tennis fans in new ways has never been stronger.

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Turn the grand slam into your very own brand slam

Nine’s focus in 2021 is to enable brands to create a deeper connection with fans, and truly harness the power of the new Nine to deliver against the deeper fan experience of Participation, Investment and Dedication. The Australian Open delivers the results our partners love. Don’t take our word for it, check out some of the brands we have helped realise big ideas for in 2020.

Unleash the power of Nine

For further information, please contact your Nine sports sales representative.

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Source: OzTAM Metro Total TV & Regional TAM Regional FTA +WA, 20/01/2020 – 02/02/2020, Various Demos, Nine + Nine Content Affiliates & 9GEM + GEM & 9GO! & GO!, Overnight, "AUSTRALIAN OPEN", 5 City Metro & Combined Agg. Mkts, Standard Cume Rch [1 min] and Standard Cume Rch by Day [1 min]. Nick Kyrigos vs Nadal: OzTAM & RegTAM, 01/02/2019 – 02/02/2020, P25-54, Nine, Overnight, 5 City Metro, Audience, 2020 AUSTRALIAN OPEN D8 -NIGHT. Fandom: fiftyfive5  'Australian Open Deep Dive' 2020, base* nationally representative sample (n=465)fans for whom Australian Open is their greatest fandom (n= 54). 

9Now Fact Pack

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A new normal of viewing behaviours

In the ever-changing TV landscape, the long-term trend towards broadcast video on demand (BVOD) was already gaining traction well before COVID, and this looks set to continue.

BVOD is the content and programming made available to stream on-demand by TV broadcasters. To be clear though, what we at Nine classify as VOD content – forget short-form – it is all about premium long-form video. Why? It’s the main reason viewers come to the platform to watch (live or on-demand), binge on shows and discover new content.

The global pandemic has brought forward permanent shifts in viewing behaviours amongst Australians and unlocked new growth areas for streaming video.

With us spending so much time in our homes since COVID struck back in March (and even more time depending on the
State lockdown status), we have seen viewing increase by 30.9 per cent across commercial FTA VOD platforms.

We know that TV + BVOD complement each other, with the combination providing incremental reach for advertisers.

Broadcast Video on Demand (BVOD) market
(A$ Millions)

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Source: OzTAM VOD + Live VPM. 1 Jan - 28 Nov 2020. Metric: minutes. Excludes coviewing on connected TVs. Long form defined as duration more than 15min (90%) and short form defined as less than 15min (10%); Think TV H1 2020 vs 2019 On-Demand & LIVE; PWC Entertainment & Media Outlook 2020-2024

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9Now - A streaming success

9Now led the BVOD market in 2020 in the demographics that matter. 

However, this is not new, as 9Now has dominated minute share year after year compared to the other commercial FTA BVOD services.

9Now is Australia’s leading broadcast video on demand platform, offering a complete streaming destination for consumers around the nation to catch up on their favourite programs anywhere, anytime, on the device of their choosing.

9Now provides marketers with the best of television and the best of digital by targeting declared users at extraordinary scale.

Minute Share 2020
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Source: OzTAM VOD + Live VPM, 1 January 2020 – 28 November 2020. Metric: Total Minutes (Live + VOD). Excludes Coviewing on Connected TV.

VOD is a place to escape and indulge

In 2020, TV and VOD had increasingly been a source of important news and information, as well as an escape in the form of popular drama and reality programs.

With VOD now playing a significant role in the viewing landscape, by allowing us to immerse ourselves in the content, it excels at fulfilling a couple of key viewing needs: Escape – the need to leave the “everyday” behind, and Indulge – in the personal favourites satisfying one’s guilty pleasures.

It’s probably no surprise that on 9Now reality and drama content reigns supreme, with viewers drawn to the platform to watch the big, buzzy, tentpole programs, and discovering and bingeing on others.

Married at First Sight season 8 was the number one VOD program of 2020, and the top binged series year to date include Desperate Housewives, 24, Love Island UK, Love Island USA, and The Arrangement.

Source: Thinkbox VOD viewing needstates; OzTAM VOD + Live VPM, 1 January 2020 – 28 November 2020. Metric: Total Minutes (Live + VOD). Media Duration 15+mins. Excludes Co-viewing on Connected TV. All Broadcasters; Nine Internal VOD streams 1 January – 28 October 2020

Live TV

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VOD

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Create personalised experiences on the big screen at home

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The businesses that will lead in the years to come are those who can navigate new and existing platforms by bringing together data sets across multiple platforms to form an in-depth view of their customers. 

We are now at a point where the power of television and the precision of digital can work together to create new ways for brands to connect and engage with audiences at scale. 

Nine’s new Audience Match product powered by Adobe enables you to match your customer data to our 13 million signed-in users, in a premium alternative to the walled gardens, at scale and across broadcast video on demand.  

Just as you can target your own customers across Google properties through Customer Match and across Facebook through Facebook Custom Audiences, Nine’s Audience Match will work in exactly the same way, but with 30-second non-skippable ads within broadcast-quality content.  

We know who every viewer is, so you can communicate with your known customers,  not anonymous devices. Audience Match will help you to seamlessly bring together the power of premium content and people-based data, creating personalised customer experiences in living rooms around Australia.

For further information, contact your Nine representative, or complete the form below. A member of the team will be in touch.

Request more information - MAFS

Start stronger with Nine in 2021

From linear television to broadcast video on demand, Nine continues to be the home of trusted news, powerhouse sport, big format entertainment and premium, locally produced drama.

Nine in 2021 will provide more diversity, across every screen, delivering the biggest marketing moments and real business outcomes for brands. The chance to partner with us is now.

Mi3 – Where is the sweet spot between big-brand moments and slow-forming relationships with consumers?

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In the fourth of Mi3’s Fourcast 2021 series in partnership with Nine, Koala Global Chief Marketing & Technology Officer, Peter Sloterdyk, DDB Managing Director, Strategy & Innovation, Leif Stromnes, and Nine Director of Powered, Liana Dubois, talk brand versus performance and finding the right balance for short-term stabilisation and growth.

liana

“Every single day we see proof that brand and performance are intertwined. It's not black and white.

There are shades of grey in everything. And in fact, brand actually fuels performance and propels performance in lots of ways.”

- Liana Dubois, Director of Powered

Rather read than watch?

A full transcript of the interview can be viewed below.

Paul McIntyre:
Welcome to Mi3’s marketing series, Future Fourcast. I’m Paul McIntyre, executive editor of Mi3, and this is the fourth and final episode in our series, which dives into some of the key themes marketers and the broader industry will need to keep a watch on for 2021. Thanks to Nine for partnering on the series. Today we’re talking about what everyone’s been talking about for the last 18 months: long-term brand building versus customer acquisition and short-term sales driving strategies. This conversation will give us a sense of what brands are  planning to do for 2021. So with us today is the global CMO of Australian furniture and lifestyle upstart, Peter Sloterdyk. Peter has the massive task of building the Koala brand in Australia and taking it global at the same time. We also have Leif Stromnes, managing director of strategy and innovation at DDB, who’s like a first cousin to Les Binet at Adam and Eve at DDB London.

Les of course, along with Peter Field, are the duo who reignited this whole brand and performance debate globally. Also with us is Liana Dubois, director of Powered at Nine, who has some really interesting results from effectiveness studies and a possible shift in brand behavior heading into 2021. We’ll try and get a sense of all that. So welcome to you all. To Peter first. Business has been booming for Koala in the past six months as part of a broader E-commerce surge. We’ve seen it right across a whole bunch of different categories. But you have some new challenges, right? There’s a bunch of shoppers who are not digital natives buying online for the first time. What has that meant for your brand strategy in finding a new type of customer? Have you had to end up completely panning your earlier strategies?

Peter Sloterdyk:
Thank you for having me. You know, it’s not that we’ve had to pan our previous strategies, but instead that we are adding to the pot. There’s a whole new group of consumers that weren’t comfortable with E-commerce previous prior to COVID and are now open and willing to try something like an E-commerce purchase for furniture, for clothing, for a lot of other things that they wouldn’t have in the past. So for us, it’s really influenced a lot of our channel strategies, a number of our messaging strategies in terms of how we reach them with what messages and when and where. But it certainly has been about building on top of our existing strategy as opposed to getting rid of what we’ve been doing thus far.

Paul McIntyre:
What has changed in your channel mix, Peter? Because before you joined Koala, I think pretty much it was 100 per cent digital. You’ve broadened that a bit. And you’ve really taken on this whole brand task of building Koala and raising awareness for these new customers trying to find something online, which may not have been there before.

Peter Sloterdyk:

Absolutely. So from a channel perspective, we’re just reaching more widely.  One of my intentions from the beginning of joining Koala had been to broaden our channel strategy. You’re right that we had been almost 100 per cent digital, kind of opportunistic when it came to TV and out of home. But instead of being opportunistic, now we’re being a bit more planned about our channel mix and making sure that we’re reaching customers wherever they are, not just on digital but throughout the entire spectrum, whether that’s out of home, television, radio, and even more on top of that, like experiential.

Paul McIntyre:
So you have had a big task ahead of you to build brand and awareness. How’s it tracking?

Peter Sloterdyk:
It has been a hectic six months. It’s given us a chance to really focus on the things that matter from a brand perspective, double down on our values, what we believe in, really uplifting our message, which is around supporting local, supporting our communities, making sure that we’re doing what’s right by our Australian roots. And so from that perspective, from a brand awareness point of view, we’ve had a chance to lean into those messages, which has helped from an awareness point of view. What’s upcoming in the next couple of months is a lot of brand work in addition to our tactical marketing to make sure that we’re driving the awareness message. But it isn’t just Koala the brand, it’s what we believe in, who we are, what we stand for, and how we intend to connect with the community on the long term as opposed to a short-term experience.

Paul McIntyre:
Well, I want to get back to that tactical stuff and how you’re balancing that. But Leif, we’ll get to a new brand campaign that DDB has just launched for Coles.

Leif Stromnes:
It sounds like Peter is advertising Coles there, which I’m pleased about.

Paul McIntyre:
Yes. Well, you’ve launched it. Speaking of Coles, you’ve launched a new campaign. Interestingly, it’s around value the Australian way. But I think you think there’s been an overcorrection this year to value and even brands racing to empathy. What do you mean by that, Leif?

Leif Stromnes:
We did some research during COVID on what was resonating. And brands wanted to do the right thing by participating with consumers around this COVID messaging. But just offering empathy was not enough. The brands that did something helpful like Coles community hour and then advertised that were the ones that were really rewarded.

So our clients were really smart. McDonald’s offered free McCafé for frontline workers and advertised that as an idea. Coles had the community hour for the vulnerable and the elderly, advertised that. And those brands have been really rewarded during COVID. So I think there was an over-correction to “we’re with you” type messages. Those were blunt and not well received. I think, ironically, that brands that kept their same, normal advertising beat , if it was tone-appropriate, did fine. And brands that did something genuinely helpful and spoke about that were rewarded.

Paul McIntyre:
So empathy was say and do, just don’t say.

Leif Stromnes:
Absolutely. I think genuine helpfulness through actions that hopefully cost you something as a company –  you know Coles community hour cost them money – was the right thing to do. They became an essential service and are still being held to that higher standard by customers in Australia as a result. And that’s a good thing for them.

Paul McIntyre:
We should say that McDonald’s and Coles are part of the DDB Group’s client base. But the broader conversation we alluded to earlier about long term and short term – you still argue, as many do, that investing in brand through downturns and crises like the one we’re still in pays off. It’s pretty short at the moment. But do you have any proof that this is working for brands and COVID if they keep investing in that long-term play? Case studies?

Leif Stromnes:
I do. And I have some very big case studies. I have lots of case studies. I think there’s no doubt we are heading into tough financial times. Value for money is really important. There’s no doubt of that. And we are heading into a depression, not just a recession. Of that we are 100 per cent sure. However, I go back to my point around brands. We tend to work with the number ones in their categories. We work with some of the biggest brands in Australia, the Westpacs of the world, the Coles, the McDonald’s, et cetera. These brands have a responsibility. That is as bluntly as I can put it. And people are holding them to a higher standard. So Coles has a responsibility to help rebuild Australia. If they just pivot to value for money they are not fulfilling their responsibility.

They have got to offer value for money, as has McDonald’s, but they have got to help rebuild this country. And I think what people want to hear, why I’m so pleased by what Mr Koala was saying,  it that it’s about themes that Australians want. You know, positivity, getting back to basics. Our recently launched work for Coles is all about the little things like camping and just getting back to the things you want to do. That is super-important. So I think brands like Coles and McDonald’s have a responsibility beyond value for money, which is absolutely important. But we have a responsibility to help people feel like there is something positive to look forward to. And let me tell you, brands don’t play a big role in people’s lives, but they are a marker for normality. So if brands stop doing the things they are good at, like delivering burgers or  food, and stop talking positively, people feel depressed. Brands have a big role to play there. Value for money is very important, but the brands that I work with have got to play a bigger role. That’s about the values of Australia coming to the fore, and we have to advertise that.

Paul McIntyre:
Well, some great points there, Leif. Liana, you have a premise too that the market generally has convinced itself that tactical-style communication is the only thing that can deliver customer acquisition and immediate sales. But it’s wrong. Please explain.

Liana Dubois:
It’s a great question. We see it on every street corner and I know Peter experiences it day in and day out, and Leif has already talked about a few examples. But every single day we see proof that brand and performance are intertwined. It’s not black and white. There are shades of grey in everything. In fact, brand actually fuels performance and propels performance in lots of ways. I think there’s this really interesting human characteristic. Human beings tend to binarise things. If something is not black, it’s white. If something’s wet, it’s not dry. If something drives brand, it can’t drive performance. And that just fundamentally is not true.

If you look at it from a channel perspective, television, for example, is always held up as the poster child, as it should be, for driving brand and awareness. But we work with advertisers every day, every hour, that use television for direct response and driving performance-based metrics. Or to flip that on its head, think about digital media. Digital media is often held up as the poster child for performance. And yet you can build brand with some digital media depending on the way you use it and the message that you put in it. Like broadcast video on demand, for example. Really effective at building brand.

Paul McIntyre:
Liana, give us some examples of where it’s worked and even where it hasn’t. I’d love you to name names.

Liana Dubois:
I’m happy to share both the good and the not so good. It’s important on the not so good that we do openly talk about it. I think there’s a narrative around the idea of test and learn and yet failure isn’t often publicly spoken about. It’s important that we do, and I will get to that in a minute. But in terms of what works, a well-known case study for Nine for one of our huge partners is Hipages and The Block. Now Hipages, much like Koala, was a business that was built using solely and exclusively search and social, and built to be a very successful business in its own right. But their ambitions were capped. Their chief customer officer, Stu Tucker, formerly of the Commonwealth Bank, is obviously a huge believer in brand and the power of brand, not just in terms of its long-term saliency, but what it can do in the immediate term and in real time.

Stu knew that he needed to do some work on Hipages’ brand to bring it into household name status and make it known to the wider population. He had a hypothesis that if he did that brand work, it would propel his performance metrics even further. Cue The Block. So last year was their first outing on The Block. I think that across the market, and certainly Mi3 listeners, people are very aware of the headline results that partnership delivered. App downloads grew 23 per cent against target, jobs posted were up 30 per cent against target, and the dark horse and surprising thing that nobody saw coming was that tradies applying to be part of the platform grew by 144 per cent. What’s not so well known is the data that sits beneath those and why those results were achieved. That is simply because of all of the different levers that were pulled in their omni-channel amplification of that partnership.

So we ran a research study with Agile. Again, well known in terms of proving in particular television’s impact on real-time results. But in partnership with Hipages and Agile, we set about trying to prove what all of the different assets actually delivered in terms of their impact. So from the television commercial to the brand mentions in show, somebody just saying “Hipages”, to billboards.  “This program is proudly brought to you by.” To things like breaking gauges and the famous Hipages lever. We unpacked the real-time results that were driven by each of those individual assets in isolation. Unsurprisingly, or maybe surprisingly, the television commercial drives the greatest result. It made the most people in real time download the app or post a job. Perhaps surprisingly the Hipages lever, the famous bit that happens in the television show, actually in isolation drove the least results in the immediate term.

But when you put those two things together, and the lever happens, then the ad follows in the break prior, that ad is two point three times more powerful at driving a performance-based metric. So Hipages in some ways is very much the poster child for brand and performance in unison. And look, there are some benefits that a business like Hipages has because they have real-time data at their fingerprints, much like Mr Koala does. But to your earlier comment, there are some examples of it not going according to plan either.

Paul McIntyre:
And I want to get to that.  But Leif, we were talking about this earlier and you were saying you  still see the big narrative that comes out of television commercials and what you’re doing for Coles. You like to hear that stuff.

Leif Stromnes:
I love that, Liana. I’ve got some data from McDonald’s through our analytic partners. We do return-on-marketing investment modelling, a very similar experience. Can you believe it, the sixty-second brand ad that doesn’t talk about value for money or about a singular product, but just talks to the McDonald’s brand, is more effective at driving a short-term sales result than the value for money rational ad that talks to the cheeseburger for $1.99. An incredible result. But I’m not surprised because it’s a memory structure we’ve created over a long period of time. The brand pays back in the short term for McDonald’s and it certainly pays back on the long term as well. We have the data to prove that.

Paul McIntyre:
I’d love to follow that up, Leif. They’re calling you Mr Koala but I’ll call you Peter. Peter, what do you make of what we’ve just heard, particularly around some of the Hipages stuff and what Leif’s talking about, even with McDonald’s, the brand actually driving short term? Does that fit within how you’re approaching things or see things?

Peter Sloterdyk:

I definitely agree with both of them in terms of what you guys have shared and certainly the data behind it. We have similar stories internally at Koala that every time we have a brand moment, whether it’s through multi-channel or a single channel, it drives additional brand awareness. But it also drives additional short-term sales, like Leif’s example around McDonald’s. I think that really is true regardless of industry, regardless of what you're selling or what you’re  going after. The point is that consumers need to find something to connect with. And value for money or a great deal isn’t really tangible in the way that we expect a brand to be in terms of something you can connect with. So I get excited about the impact that brands can have on both short-term and long-term metrics, whether that's awareness or sales, no matter what your objective is. Almost any objective can be achieved through brand work when done well.

Paul McIntyre:
Are we going to see something from you, Mr Koala, on this, similar to what we may have seen from Hipages and some other projects? What have you got cooking?

Peter Sloterdyk:
Yes. You can expect that you will see a fair few brand assets from Koala coming in the next few months. We’ve got some really exciting work cooking inside Koala right now that we’re about two or three weeks away from sharing. Liana has been a great partner in a lot of the things we’ve been working on and I’m  excited to see it come to fruition. It's about reintroducing the Koala brand outside of exactly what we’re known for, which is a lot of fun, interesting kind of quick catchy ideas that have been great in the moment. But now we’re really focused on building that longer-term relationship with the brands, communicating our values, what we believe in. I’m excited to see the brand campaign come to life in the next couple of weeks.

Paul McIntyre:
Well, clearly you’re not going to tell us what it is yet, Peter. So Liana, very quickly, some of the work that hasn’t worked. One or two cases?

Liana Dubois:
I’ve removed the names of brands and platforms if you don’t mind. I’m pleading the fifth on that one. But I will share an FMCG partner of Nine’s, a partnership where the hero asset was one of our large-scale television formats. They amplified their idea across paid, owned and earned assets and across television, digital, in-store, on pack, out of home, all the places you would expect any successful campaign to be amplified. As part of their partnership with this particular television format, they took the intellectual property rights, which meant they could brand-up their FMCG packaging, so that in-store, that connection to the last three feet, you know, and the ownership of that big sponsorship property was alive and well at that moment of truth or that moment of purchase. We ran sort of simultaneously with this partner, as we do with a lot of partners, a brand health study. All of the metrics of a brand health study lifted. The brand awareness grew from 75 to 82 per cent, consideration lifted from 22  to 27 per cent. And that kind of core campaign messaging, the real point that they wanted to land, grew by 17 per cent.

But there was something amiss, so after the end of the sponsorship we did an econometric modelling study in partnership with the client, run by  John Fox, our director of effectiveness who is an econometrician by trade. John worked with our client to unpack sales data and understand what really happened on the ground and in-store. And what we found was that sales grew significantly, but not for the sponsoring client, for their competitor. And the hypothesis that we had given, all of the media metrics delivered, the ad delivered, all the brand health study metrics delivered, everything lifted. Everything should have pointed to an increase in sales for our sponsoring client.

The hypothesis we had was that the pack changes to that particular product, which operates in a very low-interest, almost like robotic-like purchase cycle for a consumer. The pack change was just too great to support consumer behaviour at shelf. And so at the moment of truth, the pack didn’t look like what Sally shopper normally would go for. So she went for the competitor’s instead. That is really unfortunate . . . misattribution is an unfortunate side effect sometimes of these things. I think what’s important to learn from that example is that every little detail counts, every little detail to that last moment of truth. The brand and performance  worked, it got shoppers there, and it just was misattributed right at that last moment.

Paul McIntyre:
Leif, have you had that?

Leif Stromnes:

One of the major problems in marketing is when you change a pack, you lose consumers. My instinct is don’t fiddle with the pack unless you really have to. I always think it should be called brand maintenance, not brand management. Maintain the brand and make it instantly recognisable, because that is a story I hear all the time when people change the packaging too much.

Paul McIntyre:
Now I want to quickly get to you and Peter, and then we’re going to wrap up. So this whole brand performance thing, long term, short term investing in brand, that whole scenario we know about, you’re talking to CEOs and clients about this. And I think you’re starting to get the sense that the CEOs of your client organisations are attempting to pull the levers on short term for the sake of it. Is that what’s going on? And what are you saying to them in response?

Leif Stromnes:
Well, they are and they are right. We have to pull value-for-money levers. As I said, we’re in a depression. We’re going into very straitened financial times. However, I go back with insights around what consumers are looking for. And they want brands that are going to help rebuild this country. Mr Koala is in a sweet spot because they want brands that are increasingly available in the digital channels. So I think Mr Koala has a wonderful business model. But brand values, sustainability and health, these are mega themes that have become macro themes that are not going away. And I’m sceptical. Not everything has changed because of COVID. We will shake hands again. We will kiss each other again, Paul, in time.

Paul McIntyre:
Can't wait.

Liana Dubois:
We can only hope.

Leif Stromnes:

Not everything has changed and the world is not forever changed, but some things have changed. I think the clever CEOs are that understanding rebuilding and values is very important for Australians right now. Brand has never been more important or more valuable for them. And the smart CEOs are going to lean into that, in addition to value for money. It’s not either or. It’s both.

Paul McIntyre:
Peter, to finish with you then. Clearly, you’ve got some clever co-founders who are getting that,  because they’re prepared to back some of the strategy you’re doing. But brand and 2021, the big focus. What’s the surprise or the delight or the big priority for you going into next year?

Peter Sloterdyk:
I think Leif is right in terms of when it comes to brand messaging, it has to be about how we are all investing in Australia. What does that look like? How are we doing it? Being really transparent and open about that. For Koala, we’re on this really fantastic growth trajectory, which we’re so grateful for. And we get to hire 120 new people just in Australia in FY 21. That’s a huge privilege, but it’s also a part of how we are giving back, right? There’s this beautiful cycle of being  uncomfortably benefited from COVID because there’s been an increase in E-commerce behaviour. Well, we’re paying that back by growing our Australian business, figuring out exactly how to lift up the Australian economy however we can.

And I think from that perspective, that’s stuff that has to come through the brand messaging in addition to what I call the transactional marketing. So what Leif is referring to as value for money from our perspective is, “Hey, here’s this product that we think is great for you.” And that transactional messaging is still relevant. It just needs to be complemented by the brand marketing. So as we get into 2021 and see through the rest of this year, I think the opportunity for us is to continue to figure out what that perfect mix is between transactional and brand messaging and ensuring that there’s always a perfect complement as much as we can do so.

Paul McIntyre:
Final question. What is your mix at the moment? I know I keep asking you that and you keep laughing at me, but I’ll ask again. So the performance brand mix for you at present.

Peter Sloterdyk:

The performance brand mix for us is about 50-50 at the moment. As we start to invest in the brand campaign, again, to what we were talking about before, we believe that there is a magical halo effect of brand marketing that is really driven home by performance marketing. So at the moment, because we are investing in the brand, we're seeing about a 50-50 split. The channel mix is a bit different. But between performance and brand, that is where we’re standing.

Paul McIntyre:
Thank you, Peter. That’s it for our final edition in the Fourcast 2021 series. We’ll circle around next year and see how it all pans out. Thank you to Peter, Leif and Liana for joining. And stay safe. Thank you all.

For further information, contact your Nine representative, or complete the form below. A member of the team will be in touch.